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Sunday, May 12, 2013

Cinco de Mayo - Week 19

HAPPY MOTHER'S DAY!  Before we begin, I want to wish my mother a very, very happy Mother's Day.  You're the best!  I'm sure you never anticipated your son turning out quite like this.  Hope you're proud of the "Big Wedo"!  And to all the other mothers reading today, a very happy Mother's Day to you as well.  Let's get started.


I hope everyone had an enjoyable Cinco de Mayo.  Did you celebrate?  I want to thank the Workman & Temple Family Homestead Museum in the City of Industry, California for inviting Herencia Mexicana to come and perform for their Cinco de Mayo celebration "Romance of the Ranchos".  What a fun day.  More on that in a bit.  This week's blog is all about Cinco de Mayo through a wedo's eyes. 


I had no intention of writing on this topic this week but after having such a great weekend how could I not!  Inspiration is everything, so here we go!  Welcome to week 19!  And a very special welcome to China!  Thanks for joining in on the journey this week!

 
CINCO DE MAYO:

Wikipedia gives us a great explanation of Cinco de Mayo.  Here's what it has to say:


"Cinco de Mayo (Spanish for "fifth of May") is a celebration held on May 5.  It is celebrated in the United States and regionally in Mexico, primarily in the state of Puebla, where the holiday is called El Dia de la Batalla de Puebla (English:  The Day of the Battle of Puebla).  It originated with Mexican-American communities in the American West as a way to commemorate the cause of freedom and democracy during the first years of the American Civil War, and today the date is observed in the United States as a celebration of Mexican heritage and pride.  In the state of Puebla, the date is observed to commemorate the Mexican army's unlikely victory over the French forces at the Battle of Puebla on May 5, 1862, under the leadership of General Ignacio Zaragoza Seguin.  Cinco de Mayo is not Mexico's Independence Day - the most important national patriotic holiday in Mexico - which is celebrated on September 16."


Some of this may sound familiar.  My blog, "The Tale of Two Chinas" speaks of Puebla as well.  I recommend you take a look at it and read it.

THE BATTLE OF THE WEDO:



As mentioned in the opening, this year's Herencia Cinco de Mayo performance took place at the Workman & Temple Family Homestead Museum.  I will be sure to post pictures in the future.  What a beautiful place.  We performed outdoors by the large koi pond full of water lilies and colorful koi with the robust and regal family mausoleum in the background.  Although the weather was over cast and windy, people came out for the event.  What a privilege to perform.  Herencia presented the region of Veracruz, which fit the environment perfectly.


We arrived early which allowed some time to mingle among the people who gathered to watch the performance.  This was one of the friendliest groups of people I have performed for, very outgoing folks.  We were warmly received.  I talked with many people who had a genuine interest in the group, the dancing, the costumes and the dancers themselves.  Several parents asked if their children could take pictures with the women who were all decked out in their elegant white laced costumes and carrying their Spanish fans.  


Two thirty arrived and it was show time.  I was ready.  Let the battle ensue!  As I have mentioned in the past, if something can go wrong at performances - it will!  In fact, I have come to expect it and I find myself wondering in anticipation, "What it will be today?"  This one was no exception.  No, no one fell in the koi pond, although that would have been priceless!  Just as long as it wasn't me.  There were some sound system challenges instead.  The volume too low, microphone mayhem and the music cut out to be exact!  Nonetheless, the show must go on and it did.  Despite the sound system upsets, the show went well.  That is until the wedo's solo.  I would have rather fell in the pond.


After finishing my personal best performance of the Veracruz Potpourri song, came my big number to show off my mad folklorico skills in a song called "El Palomo y Paloma."  Now I have spoken many times as to how I have been working on "killing the white gene" and last week I announced to the world that I have indeed "wounded" it.  Apparently the gene has been plotting its revenge and persuaded the rest of the body to participate in its little evil plan to show the wedo who's the boss.  Everything was going great and then I started to do my thing during the segment of the song where the man get down.  My brain was working right and telling my body what to do.  However, the body wasn't listening.  Suddenly I realized my legs and feet were in rebellion and doing their own thing down there.  Total disconnect.


This is not the first time the gene has attacked.  I will share of other folklorico failures in the future.  Now my feet were going a million miles an hour.  I had a smile on my face.  The crowd was loving it and shouting.  I told myself, "Keep calm and carry on!"  Just like the slogan.  I kept going in what was a moment of absolute folklorico freestyle dancing.  I guess it could be considered "true" folk dancing.  It was this wedo's interpretation of folk dance anyways.  OMG!  I could see Richard out of the corner of my mind and he was smiling.................and laughing.  But he did me a favor and kept the crowd cheering so they couldn't hear my footwork.  What a relief when that was over.  We followed that up with a nice performance of La Bruja, where the woman balance candles on their heads while dancing.  Great job, they all finished without dropping them.  That sure made up for my moment. 


After the show, several people pulled me aside to talk with me.  Many asked me for business cards, so that's a good indication that they loved it.  They complimented me on my dancing too.  I think they were just being gracious.  However, Richard pointed out to me that they had nothing to compare it to since I was the only one dancing on stage at that moment.  I suppose had there been several of us dancing it, then my mistakes would have been more obvious.  So the solo act saved the day!  Let me declare to the "white gene", "you may win your battles, but this wedo will win the war!"  Famous last words.

BATTLE WOUNDS:

Besides a bruised ego, I finished the show with some battle scars.  On more than occasion now, I have been assaulted by the safety pins the women use on their bows and belts to hold them in place around their waists.  Cinco de Mayo's show was no exception.  After the show, I became aware of blood.  I had blood on my white camisa guaybera.  The blood came from me.  Who was it that said, "There will be blood"? Or was it, "Let there be blood?"  Oh yeah, it was a movie title. 


Anyways, there was blood.  I had managed to poke my finger again.  I think the "gene" was behind it.  I declare shenanigans!  Safety pins, which are unsafe by the way, and "the gene" are in cahoots, rallying against the wedo to see his demise.  As if the gene was trying to show me what's in my DNA.  Mr. Gene says, "Look at your blood wedo man, you're blood type is O - white!  You can't get rid of me........NEVER!  AH, HA, HA!"  Monday, my costume was off to the cleaners to extract the wedo's DNA and get it nice and white for this weekend's show.  I'm an original, don't get any ideas with that DNA to clone the wedo!  Gotta love show business and all the dangers that come with it!


THE PIGEON DANCE:  EL PALOMO Y LA PALOMA:

El Palomo y La Paloma was one of the specific dances I wanted to learn when I first started folklorico.  Perhaps this stemmed from my fascination of pigeons.  When I lived in the California desert of Banning, California I raised pigeons, bantam chickens, roosters and quail.  I had hundreds of them, all kinds too - Tumblers, Rollers, Helmets, Nuns, Blue Bars, Pouters, Fancy Footed, Fantails, Giant Runts, Curly, Etc.  I had them all.  I was a regular pigeon peddler.  I would go to the LA Pigeon Club and sell my birds in their parking lot sales on a weekly basis.  I should add "pigeon man" to my resume. 

The word "palomo" or "paloma" is defined as either "dove" or "pigeon" depending on the translator.  Doves, in my opinion, are just respected pigeons!  The dance itself is a courtship dance that has movements with the skirt work and arms that represent the flapping and fluttering of wings.  If you have ever watched a male bird try to entice his love interest, you can relate this dance to the behavior a male bird exhibits as he tries to seduce his lady.  My bird had a broken wing that day.


The legend behind this particular dance has a bit of a morbid story line behind it.  This dance is about forbidden love between two cousins.  Oh My, My!  That spices this up a bit doesn't it!  Allow me to break this down and keep it real.  Were talking "kissing cousins" here folks.  Can you believe it?  Hard to believe such a thing when you see all that beautiful costuming and movement on stage.  I suppose you could consider it the original "Forbidden Lover" song.  I had no idea this was the story behind the dance when I started.  I like it all the same.  It will probably end up being the one dance the Big Wedo will be remembered for!   

MESSAGE TO PARENTS:

Although I tried to justify my little episode this weekend by calling it "true folk dancing" and tried to laugh it off and let it go, I have to admit that it bothers me.  To the point that I have been questioning myself as to "What am I doing?" and "Should I even bother to continue?"  Sounds like I'm quitting, just like in the very beginning.  Ok everyone, pity party for the wedo on the count of three.  Ready?  One, Two, Three!  "Awe, poor wedo!  You're just not good enough!"  Now that that's out of my system, I'm ready to carry on.  Thanks for your support and sympathy.



I realize that I am a beginner and these kinds of things are to be expected.  Probably wasn't even as bad as I'm making it out to be.  The fact that these moments happen and are common, way too common if you ask me, doesn't make them any easier to deal with.  Everyone has their moments, good or bad.  This is all part of the performing and folklorico initiation.  The "Rites of passage" or just "Paying my dues" I suppose.  Sometimes I wonder if I am at capacity for my age.  Seems like as I fix certain things, others that weren't a problem suddenly become one.  Obviously I have lots of work to do.  At least my episodes make for some great reading entertainment for you, so it's not all a waste!  There's some optimism for you!


I say this because I want to address parents.  Parents, the one regret I have the most in all this is that I started so late in life.  So my advice to you is to encourage and get your children involved now.  Don't wait.  If they are old enough to walk, then they are old enough to start dancing.  Learn from the wedo!  Get them involved today.   The amazing dancers I see today all started at a very young age.  By the time they were in their prime, late teens and twenties, they were established phenomenal dancers - unstoppable and amazing.  The key is starting young.  Give them this opportunity and gift.  Don't limit their potential.  You can help them get through those embarrassing years while they are still young and people don't care if they mess up or not because they are cute.  I'll be in my 50's before those years pass me.  Oh dear!   

L.A. STYLE:

In college someone told me that you either love Los Angeles or New York City.  It's either one or the other.  Guess they were promoting that East Coast vs. West Coast concept.  Truth is I love Los Angeles!  All of California for that matter.  There's no place better in my opinion.  Don't get me wrong, I like New York City too and I can't wait to dance for all of you there - whether it be interpretive folklorico or the choreographed!  But Los Angeles has a special place in my heart. 


On Saturday night Richard danced at Casa Sanchez Mexican Restaurant in LA.  This place is one of the best places for Mexican food and entertainment in my opinion.  His night started off with a button casualty on his charro suit jacket.  To be more politically correct, he had a wardrobe malfunction.  Thank you Miss Janet Jackson for that terminology.  Thank goodness it wasn't anywhere near as revealing as her Super Bowl show mishap.  On Sunday after our performance, we decided to head downtown to La Casa Del Mariachi - Trajes De Charro to get the button fixed.  I spoke of this place in my blog "What To Wear?".  This shop is located across the street from Mariachi Plaza, the set for the One Big Wedo movie!


To our surprise, the street were closed for a Cinco De Mayo celebration.  What a treat.  We parked the car and joined the festivities.  I even spoke to the promoter of this event because I want Herencia to dance there.  I'm going to find a way to dance in Mariachi Plaza one way or another - movie or no movie, it's going to happen!  Here are a bunch of pictures from all the Cinco de Mayo activity of the weekend.  Taken by the Big Wedo himself!  That would be me.  Enjoy. 
































CLOSING:

This visit to Mariachi Plaza brought many more movie ideas to mind that I will be sharing in the future!  In the mean time, as you are reading this, I am off to perform at Our Lady of Assumption School & Catholic Church for my 1 year of performing with Herencia Mexicana celebration show!  Actually, it's officially their Mother's Day annual performance.  Regardless, I hope I nail it!  You will hear about it, however it turns out, next week.  My goals for this week's show:  To leave a great first and last impression.  To hold my own on stage and don't question and follow others if they mess up, thinking that I'm wrong.  Own it Wedo!  Lastly to nail the Veracruz Pigeon dance (El Paloma y La Paloma).  There you have it - this pigeon is outta here!


UPCOMING POSTS:

On week 9 I gave you a list of ideas I was developing for the blog.  Here's an update to wet your appetite.  Let's see which ones make the cut.

"Oh No!  Asthma?" 
"Images of Mexico"
"BF Herencia Mexicana presents Veracruz"
"BF Herencia Mexicana presents Chihuahua"
"BF Herencia Mexicana presents Jalisco"
"BF Herencia Mexicana presents Chiapas"
"BF Herencia Mexicana presents Tamaulipas"
"We Get The Idea, Wedo!"
"Dancing for Obama" or "Mr. Smith Goes To Washington!"
"What A Year!  A Look Back At The First Year Performing"
"The Ministry of Dance"
"Gueros Gone Wild"
"Wet & Wedo"
"Farewell Herencia?"
"The New Herencia"
"Richard Solorzano" or "Oh Ricky You're So Fine!"
"Colorado, Here We Come!"
"Herencia Pride"
"Modern Folklorico History"
"Visions For Folklorico"
"Opportunities"
"Working the Workshops"
"Man Up" or "Razzle Dazzle" or "You Go Girl!"
"Flaming Folklorico!"
"Folklorico Failures" or "The Show Must Go On"
"Tiffs & Tantrums" or "These Boots Were Made For Dancing [and Walking]"
"Movie Update"
"Viva Los Gueros:  I'm So White!"
"Logo Launch!"
"Why A Blog?"
"White Boys Can't Write or Dance or Jump or Sing or........"
"Viva Mariachi"
"Traditions"
"The Day of The Dead"
"Skull Face"
"Thank You's"
"An Evening of Folklorico"
"Meet The Neighbors!"
"Sneak Peak at Season 2"

Anyone else have any ideas I can run with?  Send me your suggestions either by email or Facebook!  And be sure to check out One Big Wedo (Guero) on Facebook for the raffle fundraiser we are having!   

Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Duarte Studio Practices:
Herencia Mexicana practices on Saturdays from 3:00 to 5:00 pm. Please call before coming!

Note: Looking for your own adventure or journey? Herencia is a great place to find one! Herencia Mexicana practices in Duarte, California.  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.
All are welcome.


Thursday, May 2, 2013

Taking Inventory - Week 18

Week 18!  On a roll!  Welcome Indonesia to the journey!  Thank you for all your support and readership.  I had an enjoyable time dancing in Azusa this past weekend for the city's Cinco De Mayo celebration!  There are many more performances coming up during the next few weeks!  Everyone is welcome to come out on Mother's Day to Our Lady of Assumption Catholic Church & School in Claremont, California to watch Herencia Mexicana perform.  I will be celebrating my one year anniversary of performing!  Show starts at 3:00 pm.  In the mean time, enjoy these photos of Veracruz from the Azusa show courtesy of Multicultural California!


During the show, one of the female dancers in the group pointed out to Richard that I had noticeable underwear lines!  Oh no, panty lines! What was she checking out anyway?  Hmmm.  Yes folks, these are the conversations that are happening on stage during a performance!  Now you know what's really going on!  Anyway, I was wearing my tidy whiteys!  Apparently, my designer Calvin Klein undergarment has a gray stitching that was visible through my pants.  I confirmed this when I investigated at home.  Better gray stitching than one brown stripe!  It doesn't help matters that the pants are paper thin to begin with.  Look, you can see the pocket lining right through the fabric.  Does anyone else feel a breeze?  At least the camera didn't pick them up.  Time to invest in some Fruit of the Loom classics.  Perhaps I should develop a line of men's folklorico underwear called "wedos"!  What do you think?  All white briefs that are stylish and supportive with the "no lines" special feature!  Imagine the advertisement.  Go ahead!  Let your mind wander.



Above:  One of my favorite photos of all time!  I'm smiling!


Look at the photo above.  What's that wedo doing?  I like the photo, but the crazy wedo has his eyes closed.  Perhaps I was just having a moment and closed my eyes to savor it.  Plus, my head is facing the wrong direction.  As if to say, "Look at me everybody.  I can travel with my eyes shut!"  Good Grief!  I love photos like this because it bring so much awareness and allows me to fix my mistakes.  We have another performance of Veracruz at the Workman and Temple Family Homestead Museum for Cinco de Mayo and I'm determined to nail these dances! 


Last week, in my blog "Ballet Vs. Danza", the "pointed toe" was identified as one of the ballet components of ballet folklorico.  This brought to remembrance that from the beginning, its been emphasized to me to "point the toes" during many of the movements we execute, such as kicks.  In the early days, we did several exercises that emphasised pointed toes.  I found myself pointing my toes as I walked down stairs and telling myself, "Point the toes, Point the toes, Point the toes" as I took each step.  I did that so much it starting sounding like, "Pointed Nose!"  During my first time performing Jarabe Tapitio, I failed to point my toe as I kicked over my partner's head as she knelt to pick up the sombrero towards the end of the dance.  Suddenly I had transformed the dance from ballet to hillbilly!  Hillbilly is yet another form of folk dancing you know!  What can I say, the wedo's inner redneck exposed itself! 



I was told I looked like "Grandma Moses" up there!   Of course, this made me ask, "Who is this Grandma Moses they speak of?"  Which prompted a search, only to find out she was an American folk artist who painted country images.  How fitting!  Fits right into the "folk" family.  Check them out!




My recent blog posts have caused me to take a look at "The Man In The Mirror"!  We've all heard Michael Jackson's hit which declares looking at ourselves first before we point the finger at someone else.  All this talk about taking responsibility, practicing, dedication, technique and so on, has caused me to pause and take inventory and evaluate myself as to where I'm at in this folklorico journey.  Thus resulting in this week's post called "Taking Inventory"!  Enjoy!


TAKING INVENTORY:

Recently, a friend of mine text me to say that they don't know how I do it - I work full time, go to college full time, blog, practice, perform, have a social life, travel and so on.  How does it all fit together and where do I find the time?  Well, it's complicated!  I work 40 to 50 hours a week at my job starting in the early morning.  I blog during my breaks and lunch which occupies about 8 hours of my week.  On Tuesday and Thursday evenings I go to class for 5 hours.  Practices are on Saturdays from 3:00 pm to 5:00 pm and performances are usually on the weekends as well.  It's all about time management.  Somehow it all fits together.

As I mentioned in the beginning, there was a time where I was receiving about 10+ hours a week of formal classroom practice and training.  In addition to that, on occasion I would practice on my own or with another student at home.  Over time, however, as obligations, tasks and responsibilities have increased, personal practice time has decreased.  Plus it doesn't help when your practice partner is "wishy washy"!  Classroom practice time and training has decreased significantly as studio costs and membership loss.  I'm only receiving about 2 hours a week now as the Inland Empire chapter of Herencia Mexicana is no longer assembling.   

GOALS:

What are my goals?  What exactly am I trying to accomplish in my folklorico dancing?  What purpose does it serve in my life?  These are some of the questions I have been asking myself this week as I have been taking inventory.  Ever since joining Herencia in October 2011, I have said my goal is "to be the best white male folklorico dancer who started dancing at the age of 36 with no previous dance experience."  I am a beginner folklorico dancer.

I enjoy learning new things.  I am about to graduate from college on June 2nd.  Another leg of my educational journey finished.  This presents some options.  Do I continue on my educational path and go for the Masters Program?  Do I go take a Spanish course someplace?  Do I enroll in Bartending School, as that is something I also would like to learn?  Do I dedicate my time to the gym?  Do I open another business?  What does Michael want to do?  Or should I devote my free time to the dancing?  How much of a priority do I want to make folklorico?

Although folklorico takes a lot of diligence, persistence and work, I don't want it to become work.  I've enjoyed all my involvement thus far and I want to keep on enjoying it.  It has kept me busy.  But what would I like to accomplish personally with it?  I have pitched the movie idea, National & World Tours and the Herencia & Richard Solorzano book.  What else is there?  I'm glad you asked!  Here a list of some things I would like to accomplish:
  • I want to learn a plethora of additional dances from all the regions.  Lots of Polkas!!!!
  • I want to perform all over, in various venues and events, for the people. 
  • On a more personal level, I want to become a better dancer all around.  Improve on my posture, my attitude, my adaptability and my flexibility.  I want to maintain the repertoire that I have already learned so that it can be performed at a moment's notice.  I want to add to my costume collection.
  • I want to assist Richard in restoring Herencia Mexicana BF back to how it was in its prime and create an atmosphere that draws dancers.  Continue working on performing as an ensemble.
  • I want to see the china dresses restored.
  • I want to keep blogging!  I even have a concept for a One Big Wedo Season Two!
  • I want to develop an effective advertising campaign to promote the blog.
  • I want to develop a line of folklorico & wedo themed t-shirts & merchandise to support the dance group, provide scholarships and promote folklorico.  The Label:  WE-DO WEAR!
  • I would like to produce a show.  An Evening of Folklorico.  Featuring live mariachi, dancers & artwork.   
These are some of the things I would like to accomplish.  I have some other more outrageous ideas I will share in the future.  Stay tuned.

PROGRESS:

How do you measure progress?  I started the journey back in October 2011.  I began performing in May 2012.  I have performed with three dance groups:  Images of Mexico Ballet Folklorico (Images de Mexico), Sol de Mexico Ballet Folklorico and Ballet Folklorico de Herencia Mexicana.  I have attended two folklorico workshops on Guerrero and Tamaulipas.  I've observed one folklorico competition and numerous performances.  I myself have had 21 official costumed performances in the last year.  Then there are the dances themselves.  I counted.  I have performed dances from the following regions:
  • Chihuahua - 3 dances
  • Tamaulipas - 2 dances
  • Jalisco - 2 dances
  • Puebla - 1 dance (2 Versions)
  • Chiapas - 2 dances
  • Veracruz - 5 dances
  • Durango - 3 dances
That's a total of 18 dances.  Although they have been performed, they are not perfected and never will be completely.  Always room for improvement.  Plus I want to sustain what I have already learned.  As I get older, I'm finding that I forget things quickly.   Performing these dances gives me a sense of validation and accomplishment.  I'm always evaluating myself and grading my performances, trying to achieve the next level.  It helps when something is so ingrained in your being that it becomes part of who you are.   

I will agree that I have come a long way from no experience to where I am now.  Yes, that is progress.  I have "wounded" the "white gene" with some degree of success!  Also, I mentioned in week 9's post called "Three Challenges" that I wanted to lose a little weight.  Today I weigh 205 pounds!  I've lost six!  That's progress!  Now let's shoot for some muscles!

BEHIND THE SCENES:


Performances are one way of measuring progress but what about all those things that happen behind the scenes?  Warm up routines, techniques building exercises (technica) and all those dances that haven't made it to the stage...yet!  Being in a performing group is challenging because you never know what may be asked of you to dance.  You have to be prepared all the time.  A customer may book a show at the last minute and want certain dances or regions in the show.  This often leads to an interruption of classroom planned material.  So you may be working on one region and learning a dance and then all of a sudden you have to stop and refocus for a show.  Classroom instruction gets broken up.  Some folklorico groups only perform one big show a year.  They will practice an entire year relentlessly to perfect and choreograph every detail.  They don't perform throughout the year but focus just on that one performance.  Herencia is different.

This has been the case all along.  When I first joined Herencia, we were learning Guerrero.  Then a couple shows were booked and we shifted to Veracruz and Jalisco to accommodate the show.  I have never danced the Guerrero on stage.  In fact, there are four Guerrero dances that I have worked on in the classroom and in workshops.  There have been numerous others as well - two dances from Colima, four Chihuahua dances, three dances from Sinaloa, three dances from Yucatan, two dances from Tamaulipas, three dances of Veracruz, One dance from Chiapas, five dances from Jalisco, another variation of Jarabe Tapitio - I'm sure there are others that I have also been exposed to, I just can't recall them at the moment.  I even learned one way to tie the knot for La Bomba!  My point is that these are all in "the works".  I have to keep these all in mind as I take inventory.

AREAS NEEDING IMPROVEMENT:

There are definitely some areas that I can improve upon.  I want to be consistent in the material I have already learned while I continue to move forward learning new material.  I want to have a routine and classroom practices that are consistent.  I want to help address some of the group's internal factors that have an effect on performances.  There will always be external factors that come up at a show that you don't have control over.  There's no need to have internal factors come into play at performances that complicate matters further.  I want to work on my attitude and appearance. 

THE PLAN:

So Michael, you've taken inventory, you have your goals, you know what you need to improve upon - What are you going to do about it?  Here's the plan!

  • I'm going to hold off on a Spanish class and bartending school at this time and focus on the dancing.  I am not getting any younger and these are things I can explore later in life!
  • Recently, Richard was asked to come teach at Images de Mexico BF.  Therefore, I am going to practice with Images of Mexico Ballet Folklorico on Wednesdays and Saturdays.  This will increase my classroom practice and conditioning time from 2 to 6 hours a week.
  • On the days I don't have classroom practice, I am going to practice at home at least 30 minutes a day to review the dances I have learned and drill new material and steps I am learning.  Except Sundays.  Time to set the egg timer just like my mother did growing up when we were practicing piano!
  • Go to the gym!  Transform yourself into that Folklorico Adonis! 
  • Develop better eating habits.  Establish a healthy diet.  I do great on the carbs.  Overload on them in fact.  Where's the protein? 
  • Have designs made up for decals and shirts. 
  • Print business card ads promoting the blog.
  • Get my teeth whitened.
  • Dye my grey hairs.
  • Research show venues.
Sounds like a good start.  I will be sure to give you an update on week 27!

UPDATE!

Talk about immediate feedback!  I'm writing this on Thursday and last night I had my first practice with Images of Mexico.  My body is dying!  It's in shock.  Talk about a work out.  This is exactly what I need.  Last night's practice encompassed ballet, yoga, zumba and folklorico!  What a combo.  I'm feelin' it.  I even learned a new Jalisco dance!  Jalisco is always challenging for me.  This one is a fast one too.  Oh My, My! 

Also, this is my last week of classes for college!  Finals this week.  No more college.....at least for now.  Taking a break!

TULIP TIME:


In closing, I want to share about the Tulip Time Festival in Holland Michigan.  The Holland Tulip Festival takes place every year in May.  I participated in the big Tulip Parade several times in High School with the marching band.  I also watched the parade on many other occasions. 


The component of the festival I remember the most is the dancers in the wooden shoes.  The Dutch love to clog in those!  Every year in Holland, Michigan the different dancing groups/chapters descend in mass to compete and show their clogging skills.  Always in full costume.  It's a little like square dancing at times.  And there's high kicks!  Sometimes they kick so high and forcefully that one of those wooden shoes take flight!  A wooden Dutch rocket!  Watch out!
   

As a child I always wanted a pair of those shoes.  I had no money, so I got this idea that I was going to make a pair.  My dad provided me with a piece of Poplar wood and I began to widdle.  It didn't long before I gave up on that.  Too much work.  I never got my wooden shoes.  Poor wedo.  A therapist would probably say that my folklorico dancing is the result of a suppressed childhood fascination with wooden shoes.   That explains everything!

Happy Cinco de Mayo everyone!  I'm off to dance at the museum.  Have a great week....wedo out!

Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Duarte Studio Practices:
Herencia Mexicana practices on Saturdays from 3:00 to 5:00 pm. Please call before coming!

Note: Looking for your own adventure or journey? Herencia is a great place to find one! Herencia Mexicana practices in Duarte, California.  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.
All are welcome.