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Wednesday, August 21, 2013

The Cultural Connection - Week 33

This week I want to write about the "Cultural Connection".  Something happened this past week that made me realize that I have missed it a little bit.  I have been so focused on folklorico as being entertainment, that I've neglected to paint the whole picture and give the cultural aspect enough limelight.  Hopefully this week I can add some paint from my pallet and balance out the canvas!  Let's get started!


Last weekend I went to see Richard and his dance partner for the evening, perform at Guadalajara Grill for the Saturday night mariachi show!  What a fun night.  Even though I didn't perform, I tagged along.  I like to keep myself busy and if I can be of assistance, I'm there to help.  Usually this results in carrying the costumes, fetching water, taking pictures and running to Walmart for any last minute items needed.  This particular night I made a run for red lipstick, safety pins, an eyebrow pencil, Aqua Net, body glitter and breath mints.  You can imagine the look on the cashier's face as he rang me up, analyzing my purchase!  Of course I just smiled and sighed, then stated, "Yes it's a lot of work, but I'm going out tonight!"  The checker couldn't process my payment and bag it up quick enough!  Works every time!  Try it sometime.  Totally joking about the Aqua Net and body glitter.


That night they danced Jalisco, Chihuahua, Veracruz and Puebla (Jalisco with the China dress - the same colorful China I wrote about on week 12 in "The Tale of Two Chinas").  Although Richard's partner was a little nervous, she did an awesome job.  She was very excited to dance in the china dress.  She had never danced the Jarabe Tapatio in a China and/or as a solo couple on stage like that before.  I could tell that this was very important and a special moment for her.  Her reaction caused me to think and realize that there was a cultural connection happening that I don't fully understand or can relate to entirely.  Although I have mentioned culture in my blogs before, I think it had been down played as I am a visitor here in this journey.
 

On the way home, I mentioned to Richard the experience and reaction she had dancing in the china. He shared how his mother teared up the first time she saw his brother and him in charro suits.  It's a culture thing.  I know what it's like to feel patriotism and pride, but the cultural aspect is foreign to me.  On several occasions women have asked Richard if they could rent one of the group's costumes to take pictures of themselves wearing it.  Likewise, several men have inquired dancing Jalisco for just one show so they can wear the charro and make their mother's proud.  Of course, Richard always tell them that they will have to come to practices, learn the dances just like everyone else and be able to perform them up to par.  No special exceptions!  There seems to be a special connection to the cultural attire that people cherish as part of their heritage.

I have enjoyed learning different Regional dances and acquiring the various costumes for each.  There is a level of deeper excitement and pride that comes from within those who come from the culture itself.  There is some degree of disconnect for me as it is not my own.  Although I may be "The Guero", I am not Mexican.  I think many would agree that there is a strong bond between people of Mexican decent and the homeland Mexico and the traditions associated with it.  It is part of their identity.  This carries over into their values, specifically family, where community is upheld, creating an environment of belonging.  With such deep cultural heritage and pride, it is understandable why many Americans of Mexican decent want to be referred to as Mexican Americans - celebrating their cultural identity and roots.  Other Mexican values include Religion, Tradition and Pride.  There are others as well that I'm sure you will think of as you read this today.
 

My personal experience of cultural roots and heritage in my family has been somewhat different. Our heritage and culture wasn't celebrated too much.  It was addressed in our family as ancestry and with the passing down of family heirlooms.  I recall a photo album with family portraits of our distant relatives that immigrated here.  Most of them black and white photos of stern looking, frowning, cold, hard people in formal clothing and settings.  We never learn to speak German or French in our household and we never took trips back to the European homelands.  However, I did learn to say "hello" in German and I remember that I felt "oh so cultured!"  In high school I took a semester of Spanish because it was the only language offered.  I passed the class because I did my homework, not because I could speak the language!  Obviously!  In college, I had to take classes on the International Phonetic Alphabet because we had to know how to speak the various languages properly that music is written. We also did some translation.  We didn't have to know the language necessarily, they just wanted us to speak it properly.
 

In high school I took a trip to the UK with the band.  It was fun to visit a place where some of my distant relatives had come from.  It was interesting to see and experience the land from which they originated.  That's as close as going "home" as it has gotten for me.  In recent years, my niece has worked extensively on our family tree, tracing the family roots.  It has been interesting to learn some of the information and family history she has dug up on us Smiths!

Although my family lived very much the American life, abandoning our own cultural past to some extent, not all white folks have done the same.  My parents took us to many festivals and the sort, that celebrate different "white" cultures.  We were exposed to, enjoyed and developed an appreciation for them.  We would go every year to the Holland Tulip Festival and parade.  We also attended a parade that had several Scottish bag pipers march.  I think it was the Red Flannel Days or another parade in the Alma, Michigan area.  I know that there is a lot of celebrations for Oktoberfest around the country, celebrating German culture and heritage.  I have seen a lot of Irish pride too.  Detroit area celebrated many different ones as well.  There are too many to mention them all.  My whole point being, it was much more an appreciation of cultures than an embracing of our own.
 

I grew up amongst the corn fields and pastures of Michigan.  We commuted to school a long distance, unlike city folk.  Yes, uphill, in the snow and barefoot - both ways!  The schools I attended were predominately "white".  There were a few Mexican families in the community too.  The school itself offered music programs and classes, but no dance classes of any kind.  We had some school dances and I went to one in Junior High.  I also went to one homecoming dance and prom in High School.

My father was a pastor of a church in the community.  The church was also predominately "white", however, there was one Mexican couple that attended church there that became close friends with my mom and dad.  The husband came from a huge Mexican family and had 17 brothers and sisters.  This couple was always doing family things.  Now my family did get together from time to time and we enjoyed each others company whenever we got together.  But the "family" value did not rank as high on the list, as in this Mexican family.  I perceived a difference and inquired one day of my mother why that was.  Her response was that, "Mexican people are very social people and community is important to them."  That's all that was said.  I was left with an understanding that family did not rank as highly as other values in our family.


So what were our family values?  Number one was church and service to the church.  Although I went to a few of the dances in my school years, dancing was considered worldly by the church. Rather than go to the school dance, other alternatives were provided.  If the dance was during school hours, a movie was offered in the student library.  If the dance was after the Friday night football game, the church offered activities for the youth.  

Ironically, part of requirement for my Theological Studies degree was ministry participation.  I was able to use my folklorico dancing towards part of that requirement as we dance for many churches and church charities.  I think in some denominations, the attitude towards dancing has changed some.  

The second value would have to be work.  As soon as I was able to push the lawn mower, I was put to work.  We had our weekly household chores as well.  I mowed several of the neighbor's lawns for $5 each on a weekly basis.  In the sixth grade I started staying after school to help out the janitor emptying trash cans and what not for $1 a day.  Then I started my paper route.  I've been working ever since.

I would spend my money on five and ten cent candies or 20 cent candy bars and soda at the corner convenient store.  Sometimes I would get a 35 cent ice cream cone from the ice cream shop!  Now doesn't those prices make me old!  


Thirdly, education.  You can never have enough of it.  You need to be informed and educated about life and everything involved with it.  We were taught you had to have an educated understanding about things.  Not just a general impression or follow the common flow of people's opinions and experience.

The fourth value was music.  Growing up we listened to old 45's of "Lollipop" and "The Big Bopper"!  We even had an 8 track player!  Yes, believe it!  No VCR or BETA players for us!  And no cable television either, although our antenna picked up three or four stations!  We entertained ourselves learning piano and other instruments.  I was in every music ensemble I could be part of. After all that, then came family.  Again, I have to say it isn't nearly as strong and close as the bond as I see in Mexican families.  We can go years without even communicating with each other. This lack of a family bond has led to a feeling of abandonment at times and the absence of belonging. I always had a feeling that we were not to be any sort of burden to each other, resulting in an individualist survival mindset.

Although Mexicans and white folks share the same values, their emphasis varies.  I'm writing this so people can see just how much we have in common, yet be very different.  As I've said before, I'm not having a cultural identity crisis or anything like that - being multicultural is the American way, I suppose.  I will say that is has been a lot of fun dancing Mexican dance.  And perhaps I am having a cultural connection of my own with those polka influenced dances.  I love them and perhaps that's the German stewing in me! 


In closing, I wanted to share this picture that I have entitled "Dede On Parade!"  Although Dede is not a folklorico dancer, she wanted to have a culture connection and wear the costume.  Here she is in her Veracruz best representing Herencia in a parade!  You Go Dede!  Get your pride on!

My apologies to everyone for publishing late this week.  I have fallen behind for several reasons.  Plus it's hard to write these posts on my phone, which is the norm now.  And it was my birthday and I took some time off to celebrate!  That's next week's post!  I have also been working a lot of overtime and practicing a lot for the upcoming shows!  I appreciate everyone's understanding and flexibility.

Don't forget to submit those logos for the $100 contest by August 31, 2013!  Until next week, Wedo out!


****ATTENTION ALL BIG WEDO FANS & FOLLOWERS:  MARK YOUR CALENDARS - SEPTEMBER 29, 2013 - HERENCIA MEXICANA WILL BE PERFORMING AT THE LA COUNTY FAIR.  THIS IS A GREAT OPPORTUNITY FOR THOSE OF YOU IN THE SOUTHERN CALIFORNIA AREA TO COME OUT AND SHOW YOUR SUPPORT!  MEET THE WEDO!  LET'S PACK THE PLAZA AND SET RECORD ATTENDANCE FOR THE SHOW!  HOPE TO SEE EVERYONE THERE!  PLAZA DE LAS AMERICAS FROM 1:30 TO 2:00 PM****


Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Note: Looking for your own adventure or journey? Herencia is a great place to find one!  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.  All are welcome.

Sunday, August 18, 2013

Time To Catch Up

Welcome Belgium, Greece & South Africa.  There is no new post this week.  This will allow readers to get all caught up!  My apologies.  I will try to get all caught up on posts this week.  It has been difficult since I am unable to access Blogger any longer from work.  Leaving the Blogger app on my phone the only option for writing during the week on my breaks and lunches until I get home.  This week's post did not get finished.  I will post as soon as it is completed to my satisfaction.  Thanks and please check back soon.  Don't forget to submit your logos by August 31, 2013. 

****ATTENTION ALL BIG WEDO FANS & FOLLOWERS:  MARK YOUR CALENDARS - SEPTEMBER 29, 2013 - HERENCIA MEXICANA WILL BE PERFORMING AT THE LA COUNTY FAIR.  THIS IS A GREAT OPPORTUNITY FOR THOSE OF YOU IN THE SOUTHERN CALIFORNIA AREA TO COME OUT AND SHOW YOUR SUPPORT!  MEET THE WEDO!  LET'S PACK THE PLAZA AND SET RECORD ATTENDANCE FOR THE SHOW!  HOPE TO SEE EVERYONE THERE!  PLAZA DE LAS AMERICAS FROM 1:30 TO 2:00 PM****


Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Note: Looking for your own adventure or journey? Herencia is a great place to find one!  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.  All are welcome.


Monday, August 12, 2013

For The Kids! - Bonus Post 2

Hi Everyone!  Here are some coloring pages for the kids to color.  You can find more by Google Searching:  Mexican Coloring Pages, Day Of The Dead Coloring Pages, Mexican Folk Dance Coloring Pages and the like!   Send me your children's folklorico/Mexico themed color art by September 30, 2013 and I will post it in my blog for the whole world to enjoy.  Simply print them off, color and scan and email back to me.  Some may need to be enlarged.  It may be easier to print them and enlarge them right from Google image results.


















  ****ATTENTION ALL BIG WEDO FANS & FOLLOWERS:  MARK YOUR CALENDARS - SEPTEMBER 29, 2013 - HERENCIA MEXICANA WILL BE PERFORMING AT THE LA COUNTY FAIR.  THIS IS A GREAT OPPORTUNITY FOR THOSE OF YOU IN THE SOUTHERN CALIFORNIA AREA TO COME OUT AND SHOW YOUR SUPPORT!  MEET THE WEDO!  LET'S PACK THE PLAZA AND SET RECORD ATTENDANCE FOR THE SHOW!  HOPE TO SEE EVERYONE THERE!  PLAZA DE LAS AMERICAS FROM 1:30 TO 2:00 PM****


Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Note: Looking for your own adventure or journey? Herencia is a great place to find one!  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.  All are welcome.



Sunday, August 11, 2013

Why A Blog? - Week 32

Hello Everyone!  It never ceases to amaze me how things just sort of happen randomly and without anticipation or expectation.  Oftentimes, I'll write a post and think, "Yeah, this is one that people are gonna read!" only to later discover it really wasn't much of a hit.  Then there are those that surprise you, like last week's post!  I'm shocked honestly, it soared right up the reading charts and is in the top two all time most read One Big Wedo posts.  Didn't think that would happen.  It could possibly take the #1 spot by the end of the week, over taking week 16's "Heart & Sol".  Wow!  Now let's see if this week's post nosedives right to the bottom!  Here we go!

Why A Blog?
 

So why did I decide to write a blog about my experience of folklorico dancing?  How did this really all come about?  This week I'm going to share with readers all about the blog.
 

Several years before I ever started dancing, I had a desire to blog but never acted upon it.  I tossed around ideas for a blog in my head and would contemplate what I would say and how.  I had lots of concepts, one idea was to write a blog called "My Transparent Reality".  Then I realized that there was a whole Social Network called Facebook that did that for people already.  Next!  From there I went to an idea of one called "The Bartending Pastor".  This blog would be my experience of learning to bartend and my interactions with customers, where in during the course of my listening to their drunken problems, I would utilize my Biblical Counseling classes from Bible College to direct people on a path to resolve their problems.  Of course using Jesus as my example as He was the first, turning water into wine.
 
Other ideas entertained included a blog of American diners that I've eaten breakfast at, a random picture of the day blog, famous quotes blog, drink of the day blog and so on.  There were many others considered as well.  All remained ideas however and are already commonly captured on social media sites like Twitter, Facebook and Instagram.  So I put the whole blog idea to rest.
 

I never considered myself much of a writer.  I've always been a fairly decent student though, at least in my opinion.  At Wheaton, I took an English Literature class.  For the final, we had to write a paper on a piece of American poetry.  My poem was assigned and I poured myself into my final paper.  I thought I had written a paper with major insight!  When I received my paper back, there on the top in big red ink was the letter "F" and a note from the professor, "Call Me".  I was so disappointed.  When I called, she told me that there was just no way possible to give a grade anything but, I had missed the point entirely.  Years later, I went back to college again, this time Bible College.  I took a class called Eschatology.  Part of the class curriculum included debating secular world viewpoints and Biblical world viewpoints.  To make a long story short, an assignment was given to write a paper on a controversial subject in society and present both viewpoints.  I wrote the paper and this time when I got it back there on the top of the page was an "A" and a note from the professor that said, "Wow! You could be a journalist!"  Me? Really?  Well, perhaps someday I will give it a try!

One day while I was out shopping at a thrift store, I was looking through some DVDs they had for sale.  I came across a movie called Julie & Julia.  I didn't know anything about the movie but I bought it because it had Meryl Streep in it.  I took it  home put it away and there it sat for months.
 

Some time later, a fellow coworker and friend of mine told me about a blog he and his wife had started about Bible prophecy.  They were having some success with it.  What struck me most was that he said it was free to have a blog on a site called Blogger.  I like free.  That was something that fit my budget!
 

Then one day in the fall of last year, I found myself at home with nothing to do.  So, I took out the DVD and put it on.  The true story held my attention.  If your not familiar with the story, it's a movie about Julie Powell who wrote a blog about her experience cooking all the recipes in the Julia Child cookbook.  In fact, you can find the blog on Blogger,  This of course triggered my thinking once again.  For the next several weeks I mulled over what I could write about that people might find interesting about me.  What made me unique and interesting?  Hmmm!
 

I remember a documentary that I saw on tv once about a reporter who would travel around America to random cities, pull out a phone book, open it up and point on a name.  Whatever name was there, he would call and arrange to tell their story in a documentary.   Another similar story I heard about, was a wealthy man who like to sculpt miniature clay figures.  He would travel around the world to famous landmarks and hide these little clay critters at his destination.  In fact, he became so well known for doing it, that they developed a line of clay critters for a retail collectible market based off him, which I sold in my shops back in the day.  What could I do like that I pondered?  I know I'll travel around to various cities across America, put on one of my folklorico costumes and with boom box in hand (yes, I love the 80's) go into a public park or area and dance, taking pictures with people and then blog about them and the experience of it all.  It was an interesting concept but I had one major problem - I'm broke and I work.  I love to travel but that would've require some serious funds.
 

The year was reaching near the end and I continued to struggle with what made me so different and that no one was already writing about.  Then a Mexican themed social media site posted some photos of folklorico dancing and there I was!  I came across them by accident and I was like wow, I made it on Mexican media!  Don't they know I'm white?  I was always worried that if I danced poorly that perhaps it would be perceived as mockery or insult if they knew.  I wanted to be incognito!  Dancers use to tell me don't worry, you could pass for someone from Jalisco, just keep your mouth shut.  I knew I wasn't the first white person to dance folklorico.  I had seen a couple performances with white folks in them.  Even a well respected Mexican dancer also had told me that the man who taught him to dance folklorico was white.  So I knew there were others.  But no one was writing about their experience and perception of it.  Sounds like an opportunity.

By the way, I've met others wedos out there during the course of this journey too.  One was a mariachi that performs all over, singing in Spanish, yet he himself does not speak the language.
 

2013 arrived and one of my goals for the new year was to write the blog.  So that's what I did.  I just stepped out and created a Google profile and established a blog on Blogger.  And here you are reading it!  I set a goal of 52 weeks, which would include my personal experience of folklorico dancing, my perspective, perception and analysis, basic Mexican and folkorico information and facts. Perhaps reaching someone and creating some interest in dancing or attending a show.  The blog has also succeeded in provoking thought, venting frustrations and give the account of whatever I was going through at the moment.  The blog consists of a little bit of my life, humor and bizarre pop culture ideas.  I figured that if anything, I would have a unique account of my folklorico experience in journal form, even if no one read it, that I could print off and keep at the end.  I am a sentimental person.  Plus, this would be a learning experience for me and help me learn more about the history and terminology of folklorico, as well as serve as some self encouragement.
 

I didn't anticipate anyone in the folklorico community reading it or even being interested in it.  I thought it would reach people in general who just like to read about different topics, who might like to know what the experience entailed for me.  People find it interesting to read about other peoples lives.  I thought perhaps it would help people in the USA to learn a little about our neighbors and assist in developing an appreciation and understanding of the art.  

People actually read the first post!  I was shocked.  People from around the world in fact!  I just kept on doing it.  One day a fellow folklorico dancer made a comment to me, "I saw your blog.  I like it. You are brave and I'm proud of you". Brave?  I had to ask why he thought that and he told me, "I would never put myself out there like that."  

I never thought of myself as being brave.  Growing up in Michigan, I was raised with the belief that you really could be anything you wanted to be in life or do anything in life.  All you has to do was just do it.  You want to be a business person Michael, then be one.  You want to be a singer, then sing.  If you want to write, if you write it they will read!  I think the success I've had in life comes from being a bit clueless and not being told what the right way of going about it.  For example, when I opened my retail business years ago, everyone said that I went about starting it all wrong and backwards!  Yet, I was successful for a season at it.  Then the economy tanked.  The secret to my success has been not knowing the secrets of other people's success.  I did it my way.
 

Other folklorico dancers also commented to me that they had discovered the blog and found it funny. Oh my!  I started to get feedback from people as well - both positive and negative.  I welcome it all. A friend of mine, an avid reader, happen to read the blog and one day we started to discuss it.  I shared with her some of the harsh remarks about it I had received.  She told me just to stick with it and write it my way regardless because that's what people want to read about.  Tell your story.  Other people started reading the blog also.  It appears that it is serving the purposes I intended it to as several have commented to me that they did learn some things from it and that they want to continue to do so!  That's good news!

As I've shared before, I write these during my breaks and lunches at my industrial job in a warehouse. Every week presents its share of challenges.  Overall, the blog has turned into a much bigger undertaking than I originally thought it would.  I have stacks of Post It Notes and scrap paper with all kinds of chicken scratch on them from writing down ideas and what not for the blog.  I committed to one post per a week and there is only so much editing and perfecting you can do because by Sunday morning it's time to publish.  Regardless if your ready or not!  The pressure is always on as the weekend approaches.  This week the punctuation police hit me up saying my blog was "painful to read" with all my comma violations.  I told them, don't read it then - you're missing the point!  I do my best.
 

I've enjoyed the whole blogging experience overall.  It's been almost as fun writing about the dancing, as dancing itself.  I have gone back and read my own blog postings.  I do it from time to time.  Sometimes it feels like an out of body experience.  At times, I stop and ask myself why did you write that and I have to reflect upon what was happening at that moment in time.  I will say that some of my perceptions, analysis and perspectives have changed a little over time on some of the stuff I've written.  I would agree some of the posts are better than others, more interesting over others, and better written than others.  Some I would write differently today.  There has been the temptation to go and delete some of them, but that would defeat the overall idea of a blog.  People that follow me can see through my writings the growth and progress.  

A few years ago I had an opportunity to sit in on a conference where best selling author Ann Kiemel spoke.  In fact, she has a blog here on Blogger as well!  She shared the story of her first book she ever wrote.  Only she can tell the story with all the humor and specifics.  But the whole gist of it was that when she wrote her first book, she told her publisher not to advertise it, just put it out there.  She said it was a pathetic little thing and she hoped it would just die.  People discovered  the book, connected with it and it became the best selling book that publisher ever printed.  Sometimes I feel the same way about my posts - unsure and hope they just die!  So there you learn a little about me, I believe that I can do anything, just do it but I'm uncertain about it the whole time - yet I won't quit either!
 

It's time to wrap this all up, I've said plenty already.  Some of you think I think too much and my posts are too long.  Anyway, in closing, I want to express that there is an incredible opportunity out there for folklorico people to write blogs, articles and the sort about folklorico.  There is much, much more written in Spanish than English about the subject, for obvious reasons.  There needs to be more in English.  I've seen a couple other blogs about folklorico out there, usually quoting the same resources I have in mine.  The information is limited.  And if your like me, don't speak or read Spanish, the resources are much more limited.  So someone could step up and translate the existing publications into English or write a new blog in English as well.  

Case in point, one of the feedback comments from last week states that I failed to mention Marcelo Torreblanca in my post.  He is considered by many as the "father of what we now know as danza Folklorica".  When I looked him up on the web, some articles in Spanish appeared to come up.  I did not find anything on him in English.  Sounds like an opportunity for someone to document his work in English.  I have to be honest, I have never heard of the man.  Several dancers I inquired of hadn't either.  

Some other feedback from last weeks post was about my "king and queen" comment.  I meant no offense by it.  There is an abundance written about the two from last week in English and everyone I've talked with knew of them well, hence my reason for labeling them the king and queen.  Don't know what I'm referring to?  Read last weeks post!  Didn't anticipate it being such a controversial statement, but many hit me up about it!  I said it based on my deduction that if there an abundance written about them, then they must be the most popular and known for it - the king and queen.  If that's not the case then something needs to be done, written, to change the perception!  

That being said, I am inviting some folks to be guest bloggers on my site!  In addition to my weekly posts and bonus posts, I want to start having special guest posts too!  Who wants to write one?  Hit me up.

Lastly, the blog had some newcomers this week!  Welcome Kenya, Nigeria and Sri Lanka!  Glad to know people everywhere are interest in folklorico dancing!  The blog also reached over 4000 pageviews this!  People are reading!  I also received six logo contest entries this week!  I'm sharing them on my Facebook page, so drop by One Big Wedo on Facebook, like me and check them out! You have until August 31, 2013 to submit yours for a chance to win $100.  

Always open to suggestions and feedback.  If you read something that needs clarification or you have a question about, please drop me an email. 

Stay Strong & Write On!  Wedo out, yo!

****ATTENTION ALL BIG WEDO FANS & FOLLOWERS:  MARK YOUR CALENDARS - SEPTEMBER 29, 2013 - HERENCIA MEXICANA WILL BE PERFORMING AT THE LA COUNTY FAIR.  THIS IS A GREAT OPPORTUNITY FOR THOSE OF YOU IN THE SOUTHERN CALIFORNIA AREA TO COME OUT AND SHOW YOUR SUPPORT!  MEET THE WEDO!  LET'S PACK THE PLAZA AND SET RECORD ATTENDANCE FOR THE SHOW!  HOPE TO SEE EVERYONE THERE!  PLAZA DE LAS AMERICAS FROM 1:30 TO 2:00 PM****


Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Note: Looking for your own adventure or journey? Herencia is a great place to find one!  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.  All are welcome.


Saturday, August 3, 2013

Modern Folklorico Dancing - Week 31

Modern Folklorico Dancing!:

Thank you for reading my blog!  Back on week 10 I wrote a post called "What Is Folk Dancing?", on week 13 I wrote a post called "Competition Movie Time" and on week 17 I wrote a post called "Ballet Vs. Danza".  If you are reading the blog for the first time, I would recommend going back and reading these three posts as there is a lot of foundational information in them which I hope to build upon in this week's post "Modern Folklorico Dancing!"  However, if you don't have the time to review, you'll still enjoy this week's read.

Folk dancing has existed for a long, long time.  It has become a popular art form in current society and is embraced in many settings as a form of viewing entertainment and cultural presentation.  From its humble beginnings, it has evolved, developing into a vast array of portrayals and expressions.  So what are the roots of the modern folklorico movement we see today?  Let's go exploring and find where the modern forms of Mexican folk dance stem. 


In the 1950s, lifelong resident of Mexico City, Amalia Hernandez (September 1,1917 - November 5, 2000), played a significant role in formalizing and popularizing the art form we call folklorico, or ballet folklorico.  Hernandez founded her group, Ballet Folklorico de Mexico in 1952 and established the first school completely dedicated to the art of ballet folklorico in 1968 in Mexico City called the Folkloric Ballet School. 


Mexican President Adolfo Lopez Mateos was a fan of Amalia's group and endorsed it, allowing her to perform Sunday mornings and Wednesday evenings at The Palace Of Fine Arts in Mexico City. Along with this notoriety and her television exposure, momentum rapidly picked up and caught the attention of the Mexican Department of Tourism, which assisted her launching the group on a national scale.  The dance company toured throughout the world, including a performance for U.S. President John F. Kennedy.  The company has gone on to perform over 15,000 times and reaching an overall audience of 22 million people.


The ensemble itself grew from its original 8 members to over 60.  Hernandez is credited with choreographing about 70 dances.  Her research, development and preservation of Mexican folk dances has been a primary foundation for many folklorico groups around the world.  There's not a folklorico dancer alive that isn't familiar with her work or her name.  She has left a defining mark on ballet folklorico and is responsible for its spread  around the globe.
 

Recently I have had the opportunity to learn some of Amalia's dances and I have enjoyed the opportunity.  I have also enjoyed watching videos of her group on YouTube.  If you haven't seen any yourself then you have been missing out! Click on the links below to see some of my favorites.  Very impressive.  I have learned so much from watching her group.  Her group is an inspiration to many aspiring folklorico dancers. 

 
Of course there always seems to be this balance in the Mexican culture and folklorico dance world. Why even in the dances themselves, typically what you do in one direction, you repeat in the other. Amelia's counterpart came along - another respected choreographer from Guadalajara, Jalisco, Mexico named Rafael Zamarripa Castaneda (born February 8, 1942).  After initially refusing to join Amalia, he reconsidered after she convinced him it could help his art career as well.  He is talented painter, sculptor and designer in addition to dancing and choreographing.  This link to Amalia and his contribution to the art has earned him the title of "The father of folklorico" or "Godfather" by some. Amalia is often associated with Ballet Folklorico whereas Rafael is associated with Danza Folklorica Mexicana.  The two make the perfect pair and are hailed as the king and queen of the Mexican folk dancing kingdom.


In the United States, ballet folklorico was popularized in the 1960s and 70s, right along with The Twist, The Cool Jerk and the Disco Revolution!  Specifically, there was a strong representation in Los Angeles, California and in El Paso, Texas (the Sun City).  Two cities with large Mexican American, Hispanic American and Latin American populations. In fact, I would even go as far to say that folklorico has become part of the local culture in these cities as well.  Folklorico today continues to be utilized in many ways including:  it's a way of bringing people and cultures together, a way to promote pride in Mexican cultural heritage, to enhance self esteem, to provide cultural themed entertainment, building community among people and sharing it with others and so on.
 

Although Amalia Hernandez and Rafael Zamarripa are the most prominently recognized and credited choreographers associated with ballet folklorico, and rightfully so because they worked hard and earned it, it is important to mention that there have been many other respected dancers, teachers and choreographers who have contributed to this great art.  Maestros of the dance come from all over.

Today, as the dance form has evolved with all its deviations and variations, you see a wide arrange of presentations.  Originality is encouraged. Every folklorico group wants to make their group special in some unique and self defining way.  How do they make themselves stand out?  They build upon a foundation that was set by Amalia and Rafael.  Today, you see groups alter costuming, accessories, colors and so on.  Dance choreography has changed and stylizing emphasized.  Details to make the group original, yet rooted.
 

You could easily assemble 30 or more folklorico groups together today and have each of them dance the same dance, for example the Jarabe Tapatio, and you would see 30 different variations of the same dance.  Some more traditional than others.  All utilizing similar costuming, footwork and movement fitting the region, music and theme.  Just designed in a unique fashion to fit their group. Same for other common dances as well.  

Many people do not like thinking that is outside the box.  However, I would argue that most great and influential people think outside the box. Nonetheless, for many it makes them uncomfortable to step out.  For example, oftentimes when you hear someone try and sing a song karaoke, they will try to imitate the artist famous for singing the song.  They attempt to copy them and give the same sort of experience.  However, if someone gets up and makes the song their own, people often critique and criticize them.  Same is true in the dance world.


Back during my days in music conservatory, my teacher would ask me to describe my voice, my style, my sound and so on.  She wanted me to know what made me special and unique.  Why?  Because that's what I had to offer the world that was mine.  Not everyone may like it, but it was my contribution that no one else had (or has).  She would tell me to sing it like Michael Smith, not Michael Jackson.  Let Michael Jackson be Michael Jackson, you be Michael Smith.  You have to know your niche and market and sell that.  You are your own product.   
 

That's what all these television shows like American Idol and the like, are trying to discover.  A unique product.  Someone who can sing a known song and make it their own and still appeal to the masses.  Something fresh and different.  Why do I bring this up?  Because I have witnessed how harsh and critical groups and dancers have been judged by others in the field for stepping out and being different. 

Preservation of folk dancing is important, I agree.  As I have argued in the past, most folk dance presentations we see today are very different from the original true and authentic dances they represent.  Although they are based on dances from a period of time and had certain specific elements, all modern folk dancing deviates from the original to some degree.  So when terminology like true and authentic are applied to modern folk dancing it really is subject to an individuals personal interpretation and preference.  Remember, original folk dances were for the enjoyment of the common people who danced them.  More than likely they would be very conservative and somewhat boring to the people of today who are accustom to big productions.  I love how people use the phrase "the dance has been set for stage" rather that altered.
 

A lot of groups today copy each other.  Granted they all are doing the same thing - folk dancing.  But a lot of them copy the same style of other groups and choreographers.  Which after a while becomes mundane and boring.  Everyone has heard the idiom,  "imitation is the sincerest form of flattery."  Well, that may be true but it can lead to disinterest.
 

Recently, I had the opportunity to attend an informal luncheon consisting of dancers, choreographers and teachers, including some from the folklorico dancing scene.  The whole topic of creativity, innovation, originality, diversity and the like in regards to dancing was discussed.  One respected and known folklorico figure made a comment that some might find a bit controversial.  "I love the work of Amalia Hernandez.  She was an amazing talent.  It's understandable why other groups like to pay tribute and homage to her by performing her dances and style; however, it was her style.  When I see it performed, I enjoy it when her dance company, Balket Folklorico de Mexico, performs it.  It belongs to them.  When I see other groups perform I want to see what they have to offer.  Not someone else's work or material.  Folklorico is a living art, the moment we all conform and impersonate the work of one, it will eventually become dull and die."  

I have seen many, many folklorico performances by various groups over the past few years.  The ones I remember most, are those where they did something different and out of the box.  Even at the risk of heavy criticism of others.  Two recent ones consisted of costume creativity.  When I saw them they visually sparked my interest.  Although many dancers in the audience gave them flack over the travesty of it all
 

The first was a Guerrero performance where the hairpiece had been altered, they used Popsicle looking pieces to represent the little balls (Pom poms).  It was well done, although I heard comments, including "Aye, Dr. Suess Folklorico!"  It was more like something you would see from Munckinland in my opinion.  Regardless, it worked.  The second was a group that embroidered their names in their dresses.  I agree its not traditional, but it was something different that made me remember the group.

I think it would have been fascinating to have tracked the history of folklorico dancing once it changed over from folk dancing to performance art.  It would have been neat to build a sort of Folklorico Family Tree where you started from the beginning with the original groups and people and show how those people taught others, who taught others, who taught others and so on.  That way you could see all the transference and influence passed along over time.  You could trace everyone's folklorico circle.  You could even track creation of dance groups and such.  What a massive undertaking it would be, but I think it would be interesting.  You would know you whole dance Pedigree in a sense.  Just a thought!

At the end of the day, my advice to those who like to compete in competitions and showcase would be, "if you don't want to be criticized then keep your costumes very traditional and conservative but in colorful and excellent condition, be energetic but not gaudy, have clean perfected foot work and you'll do well.   Even then, there will still be critics!"  

Everyone is entitled to their thoughts and opinions out there.  You don't have to agree with mine.  My intent was not to create controversy, but to provoke thought and consideration.  That's something every good writer does!
 

In closing, the United States was formed on July 4, 1776.  As I was writing this blog I couldn't stop thinking about American folk dancing.  The country is relatively new.  No doubt, the indigenous people of this land had dances of their own before this country was established. With vast immigration to the USA, people of all cultures brought their dances with them.  These days, dances get categorized differently - they don't call it folk dancing anymore.  Yet they are folk dances of a present time.  Can you imagine 1000 years from now dance groups forming to do folk dances from our time?  That's sort of sobering isn't it. So what would American folk dances include?  Here's my list!  You can have fun adding to it:

Square Dancing
Country Line Dancing
Hip Hop Dancing
Freestyle
Saloon Dances
Swing Dancing
The Shuffle
Twerking
The Running Man
The Jitterbug
The Electric Slide
The Macarena
The Hustle
The Mash Pit
Crunking and Krumping
And so on!

I wonder how they'll be set for the stage 1000 years from now?  Anyways, that's all folks!

All The Other Stuff!

Welcome, welcome, welcome all my new readers!  Thank you for taking the time to spend a few minutes with the Wedo!  My Facebook fan page blew up this week as well with over 60 new friends! I love it!  This week alone One Big Wedo reached a global audience with readers from Australia, Canada, China, France, Germany, Indonesia, Japan, Malaysia, Mexico, Netherlands, Pakistan, Poland, Romania, Russia, South Korea, Spain, Ukraine, United Kingdom, and the United States.  I am amazed and very excited - the list keeps growing!  Thank you to all the blog writing groups that have accepted me into their circles.  Keep sharing and spreading the word out there so others can discover the blog and enjoy it too.  A world tour may just become a reality!  Any dancers out there want to join me?

I posted my first "Bonus Post" this week. I think I am going to randomly submit them without any notice.  Just a little bit more Wedo for your week.  Keep checking back and you might get a surprise! Official weekly posts will continue to be published by Sunday each weekend.  
 

I've been receiving a lot more feedback from people as well.  My favorite question this week was from a reader who asked me if I used wire hangers for my costumes.  The question came in reference to my Mommie Dearest comment in my post "Full Exposure: A Look Behind The Curtain".  My response, "No Wire Hangers!"  In fact, I bought special color coded hangers to distinguish my costumes from other dancer's back stage.  Keep that feedback and interaction coming!
 

Lastly, don't forget the logo contest.  All entries are due by August 31st 2013!  So if you haven't started, it's time to get going on it!  Until next week everyone, Wedo out!  

 
****ATTENTION ALL BIG WEDO FANS & FOLLOWERS:  MARK YOUR CALENDARS - SEPTEMBER 29, 2013 - HERENCIA MEXICANA WILL BE PERFORMING AT THE LA COUNTY FAIR.  THIS IS A GREAT OPPORTUNITY FOR THOSE OF YOU IN THE SOUTHERN CALIFORNIA AREA TO COME OUT AND SHOW YOUR SUPPORT!  MEET THE WEDO!  LET'S PACK THE PLAZA AND SET RECORD ATTENDANCE FOR THE SHOW!  HOPE TO SEE EVERYONE THERE!  PLAZA DE LAS AMERICAS FROM 1:30 TO 2:00 PM****


Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Note: Looking for your own adventure or journey? Herencia is a great place to find one!  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.  All are welcome.