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Showing posts with label wedo. Show all posts
Showing posts with label wedo. Show all posts

Sunday, March 3, 2013

Three Challenges - Week 9


Hello Everyone!  Welcome back to the journey.  A special welcome to all the new readers this week, especially those from Russia and Thailand!  Thanks for joining the journey!  The list of countries keeps growing! 

After last week's blog titled, "Who Am I?  A Personal Introduction," I was asked where my family bloodline comes from?  As far as I know, I have ancestry from Germany, England, Scotland, Ireland and French Speaking Canada.  I should have included that, thanks for inquiring.   

I had a significant increase in readership from The United Kingdom this week.  I would enjoy travelling with Herencia to the UK and performing for all of you living there.  A UK tour sounds great!  I've been there before when I was 15 years old.  I was in the 10th grade.  The band went and marched in the Easter Parade in London, England.  I don't recall which park the parade was in exactly.  It was either Hyde Park or Battersea Park.  I checked my passport and we were there from April 10th-19th in 1990.  We also travelled from London up to Edinborough (Or Edinburgh), Scotland and back, stopping at towns and villages along the way.  I'm overdue for a another visit.  Don't you agree? 


This week's blog is a satire about some of the challenges I've encountered while learning to dance and performing.  Some are common for dancers in general.  Please note, the thoughts and opinions expressed in this blog are my own.  They do not represent Herencia Mexicana or Richard Solorzano.  I will admit right from the start, that some of these challenges and expectations are placed upon me by myself and I hope they do not reflect negatively on folklorico dancing or the dance group.  Laugh with me and enjoy the read!

Challenge #1:  Weight

This morning I weighed myself and I am 212 pounds.  Perhaps I ate one too many buffets in Las Vegas this past weekend.  Ugh!  When I first met Richard, I was barely 185 pounds.  Too skinny!  However, the doctor said I was at an ideal weight for a 6'2" male.  Imagine that!  I also had myself evaluated at the gym and they also agreed I was ideal in weight and body fat.  I find that hard to believe because I looked sick.  Regardless, I must have been 185 pounds of pure butter because when I started dancing I sweat like crazy.  There was nothing to sweat, but it was coming from somewhere!  My shirts were soaked and I was dripping from every pore. 

In some folklorico groups (not Herencia Mexicana), the directors tell their performing students that they do not make big costumes.  In other words, if you want to perform on stage you will adjust your body to fit into the costume they make.  They do not make the costume to fit your body.  When I think of dancers, the image that comes to mind is a slender and toned person.  They have conditioned their bodies.  Young people often have an advantage because when your young, you have all the energy in the world and can burn calories like crazy.  As you get older, your body slows down naturally.  I do not have age on my side, but I can control my weight and think being thinner would be better for dancing.  Especially when some of these dances require rapid footwork and lots of sustained energy. 

I was too thin in the beginning and wanted me to gain a little weight.  Eager to do so, I indulged in fast food, soda and was eating everything that guaranteed weight gain.  And I grew.  As I have gotten older I've noticed by body shape has changed.  I was heavier in the past, upwards of 260 pounds, and I didn't look it at all.  This time after I gained the weight, I was told I looked like "a pregnant pencil!"  Just call me yellow No. 2.  Not the desired result.  Then it was clarified to me, "You need a bigger chest, shoulders and arms, not a bigger waistline.  Go to the gym."  OK, got it.  But I don't have time for the gym, my cup is full at the moment.  I'm too busy eating!  I purchased a membership at the local 24 Hour Fitness anyway.  Perhaps spending the money on monthly membership fees would be enough encouragement to get my butt to the gym.  NOT!  I know I need to do it, and trust I would love to have a killer body, but it's not easy and the timing is bad.  Excuses!  Excuses!


In addition, it never fails that someone in the dance group is selling chocolates to support their child.  The dramatic and emphatic sales pitch often goes something like this, "Mijo!  Mijo, the children.  The children are marching in the parade.  The one in Pasadena.  They need money, mijo.  They're selling chocolates."  Now, being in band myself in school, I understand so I ask, "What kind of chocolates?"  Then the reply goes something like this, "Mijo, they are special chocolates!  First they start with bacon.  Yummy bacon and they fry it up in some butter.  Then they roll it in butter cream and coat it with sugar.  Then its dipped in batter and deep fried.  After that they dip it in chocolate made with extra heavy cream and dust it in powered sugar.  They are delicious mijo."  Sounds interesting so I ask, "How much?"  They reply, "Each student needs to raise $1000 for the bus trip across town, so they are $40 a box."  Now the pressure is on and not wanting to appear cheap I say, "Give me two!"  Then they say, "Ok I got them in the car!"  Nothing like immediate delivery!

So now I'm stuck with two boxes of fat and I take them home, hide them in the back of the fridge and try to forget about them.  Sure enough, two weeks later I'm at home starving and feeling extra lazy.  There's no food in the house and I'm so tired that I don't want to go to the grocery store.  Immediately my mind goes straight to those boxes of chocolate.  How bad can they be?  So I try one and they are amazing.  Dinner!  Two boxes later I'm on the couch in a sugar coma, eyes rolled back, with the last piece of bacon hanging from the corner of my mouth.  Then it hits!  You know that feeling.  That feeling that there's about to be an aggressive movement.  This is what I call "Michael's Chocolate Cleanse!"  Having worked in a chocolate factory myself and learning from personal experience, I know that eating a excessive amount of chocolate results in a laxative effect.  Not as extreme as an Epsom salt flush, but it does the job.  Therefore, in this example, there are two results.  The first, the pipes get an explosive cleansing.  The second, you'll think twice before indulging in massive quantities of chocolate again.  No one wants a repeat experience!  Trust Me!

There are probably a few of you out there thinking to yourself, "I cant believe he's writing about this, I thought this was about folklorico!"  It is!  Mexico has provided us with the wonderful terminology of Montezuma's Revenge and The Aztec Two Step!  After white Spaniards defeated and conquered Moctezuma II, the runs are his revenge on the white man.  Likewise, the folklorico gods have their revenge on invading wedos of the dance:  The Folklorico Foreigner Flush!  Isn't is funny that after nine weeks of blogging we have already covered one end of the spectum to the other!


Then there is the that time of year when young aspiring girls everywhere turn into militant cookie pushing peddlers.  They are everywhere.  You can't avoid them.  You will buy their cookies or else wrath will come upon you.  Every time I see one of them, fear sets in.  My freezer is full of boxes, upon boxes, of cookies.  And true to the previous example, whole evening meals are spent consuming them to support the American girl's future and development.  My waist line is a small price to pay.  Why can't fundraising groups sell lettuce at $20 a head instead?  It's always sugar, sugar, sugar!

And if that isn't enough, lets look at some of the food the Mexican community consumes:  tortillas, refried beans and rice.  There is nothing better than a hot fresh flour tortilla with butter.  Can I get a witness?  Come on people, seriously, it's delicious!  Plus there's nothing like the abundance of lard and masa creations.  Masa!  Masa = Mass, Mass = Massive and Massive = No Folklorico For You Wedo.  I find it ironic that in Mexican culture, men are macho, robust and burly, yet they expect their dancers to be fit, trim and thin.  Men are groomed from birth to be strong and respected  So there is a constant battle between portraying the masculine Mexican male image and the expectation of the male folklorico dancer.  No one wants to see a man who looks six months pregnant in a charro suit, sweating and dying from exhaustion.  Even a robust and muscular man will appear heavy in a charro suit on stage.  On the other hand, no one wants to watch a man perform that appears weak and sickly.  The goal is to find balance. 

One thing that I feel is important to remember is that there are several different body types.  Your body type determines where you will carry the weight.  I think that the American culture idolizes the "V" shape body type, with the broad shoulders and skinny waistline.  We obsess over it and put ourselves through all kinds of torture to achieve that perfect form.  Truth is not everyone is going to have it, myself included, unless I pay for it!  Plastic surgery anyone? 


I have made efforts to be healthier and fit.  I acknowledge that I can do better.  Please don't mistake my writing about this as excuses or complaints.  As soon as my schooling is over, I will have additional time to dedicate to the gym and practicing.  I have tried to reduce the carbohydrates and increase the protein.  I've laid off the sodas and drink Kangen alkaline water.  I've limited my fast food intake.  Every morning, I start my day off with a buffet of vitamins and supplements.  I try to avoid the plethora of donut boxes and snack machines at work.  Usually with little or no success.  When I start to get depressed over it, I just wear some extra baggy, over sized clothing and it's amazing how many people remark on how it looks like you've lost weight.  It's a real pick me up. 

Many dancers use belts, body suits and girdles.  Anything to help get that appealing shape.  It's a small price to pay.  One dancer friend of mine was told by their instructor, "Run, don't walk, run and buy yourself a girdle!"  Audiences only see the end result.  However, there is countless hours of practice, dedication and commitment that go on behind the scenes.  It truly is a lifestyle that requires discipline and diligence.  Personally, I would prefer to be a bit on the husky side.  But if dancing is a genuine priority in my life, then I need to make the sacrifices and do what is best.  So I'm off to Wal Mart this weekend to invest in a waist trimming belt to help melt my midsection.   

Recently, I grew a beard.  Looks nice.  As for the top of my head, I have a receding hairline and I am balding, so I shave it clean.  However, I tell everyone that I have a sagging scalp and that the hair on my head ended up on my chin.   Likewise, the same can be said of my belly.  My gut is actually a beautiful set of pectorals in development.  Everything just needs a little lift!

On Tuesday this week I was telling my co-worker, the same one who filmed the Three Amigos video, about this week's blog as we were leaving work, heading to our cars in the parking lot.  We shared a laugh over the "pregnant pencil" comment.  I got in my car, pulled out of the parking lot and got to the signal light where I stopped and sneezed.  I felt a pop around my waist and when I looked down I noticed my belt had broke.  Completely busted, snapped right at the buckle.  Poor thing couldn't handle the pressure anymore.  The force of the sneeze caused my belly to expand and that belt didn't stand a chance.  Now that's a power gut for you!  Guess I have some work to do!


Challenge #2:  Posture   

"Stand up straight Michael", "Stand up tall Michael", "Shoulders back Michael", "Lift your collar bone Michael", "Stand proud Michael.  Let it radiate from within", "Have Pride", "Earn Respect with your body language", "Puff your chest up and out Michael.  Besides, it makes your waist look smaller", "Women, and some men, love a tall man with dominating presence Michael",  "Don't slouch Michael",  "Stop stooping Michael",  "You're learning forward on the turns Michael.  You're losing your balance.  You look like a Weeble Wobble", "Dance from your core Michael", "Center yourself Michael", "Poise", "Rise to the occasion", "Lift", "Let your body speak", "Exude Confidence", "Stand Proud", "Make your presence known",  "Stand your ground",  "Take the fort!",  "CCCHHHHAAAAARRRRRRGGGGGGGEEEEEEEE!",  " To infinity and beyond!"  On and on it goes!

It's true, my posture needs improvement.  I don't deny it.  I understand all these things are said in good intent and for my benefit, in hopes that I will become a better dancer.  Posture is not one of my family's strengths.  My grandmother had a hunched back.  It's not easy being head and shoulders over the rest.  I am always on the look out for tall women dancers.  I try to recruit them to our dance group.  It never fails that they put the 6'2" wedo with a 4' tall partner.  Why does that always happen?  Do you see the dilemma?  Then its, "Just bend your knees Michael.  Not your back"  Really, that's all there is to it?  From my calculations I need to bend those knees 2 feet and 2 inches just to get to eye level with my partner.  Try sustaining that while whipping around the dance floor and tapping your feet like mad.  Chop me off at the knees better!

At times I am tempted to just pick up my dance partner and carry them along as I travel.  Of course, lacking any upper body strength, this presents yet another challenge.  And it doesn't help if my partner is as deep and wide as she is tall.  Anyone feel boxed in?  I'm completely joking here but my height does present a challenge to perfect posture.  I did some investigating and according to Wikipedia's Average Height Around The World, the average height for a Mexican male ranges between 5 feet 4 inches to 5 feet 5 1/2 inches.  The average height for a Mexican female ranges between 4 feet 11 1/2 inches to 5 feet 1 inch.  The same study states that the average height for a U.S. male is between 5 feet 7 inches and 5 feet 10 1/2 inches.  For a U.S. woman the average height range is 5 feet 2 1/2 inches to 5 feet 5 inches.  So regardless whether it's the average height for men or women, Mexican or American, I top them all at 6 feet 2 inches!

There was one concerned dance group parent who went online and found posture enhancing devices for dancers and recommended I invest in one.  That's when I knew my posture must be absolutely deplorable.  After 36 years of poor posture and looking down upon the world, there must be some muscular skeletal deterioration going on back there.  To add to the situation, my work has less than ideal ergonomic conditions which consistently reinforce poor posture.  Certainly all the stretching and conditioning has helped some, especially with flexibility.  At this point, however, a posture strap contraption or even a corset is probably the best option.  Any other ideas out there?  Does anyone know if there is such a thing as rolled shoulder syndrome or posturitis?  Must be, because whatever you call it, I've got it.

On Wednesday this week I went out to eat with a friend.  Echoing the words of my father throughout my my childhood, my friend (who shall remain nameless) says, "Michael!  Sit up straight!"  Then he proceeds to tell me that I look like an inmate eating.  An inmate?  Yes, an inmate hunched over my plate.  And not just any inmate, a pregnant inmate!  All that was missing was the yellow jump suit.  Priceless.

Challenge #3:  Focus!

As a child I was very hyper active.  I was zipping all over the place.  In Kindergarten we learned our A, B, C's.  I remember that I had a lot of trouble focusing and learning.  It took too long.  My attention span was short.  I felt I only needed to know letters A and Z, the first and the last.  Never mind everything in between.  The teacher would conduct her tests to evaluate how our progress in learning and developing.  The alphabet was a part of them.  I remember those tests.  I just wanted to start at A and selectively choose other letters along the was to get to Z as quickly as possible.  This concerned the teacher and she notified my mother that I wasn't learning my alphabet and there was the potential of holding me back for another year.  What a way to start out life, flunking kindergarten.

My mother quickly took the matter into her own hands and purchased a Disney record for children that had the A, B, C song on it.  Obviously she knew me well and that I had a musical gene inside.  I learned my alphabet in no time at all and the teacher marvelled at my sudden progress.  Music was the key to my success.  I passed kindergarten and proceeded with my education.  My mother enrolled me into a special after school music appreciation and development class to aid in my educational success.  I still own that original record to this day!


A year or two later, we started learning math.  Right after the math portion of the class, we had play time.  Once we finished our math assignment, we turned it in and got to go and play.  The only thing that stood between me and play time was that assignment.  The assignment became the problem.  The solution, get it done as quickly as possible.  The result, do the first, third, eighth, ninth and tenth math questions and skip over the rest.  All done!  That was easy.  Time to play.  Well again, my mother caught wind of the situation and addressed it.  Apparently there is no records with math songs because when I got home I had to do all the work I skipped in class, plus a little extra.  I took the completed assignment to the teacher the next day and the teacher thanked me.  I passed another year!

The summer before the third grade the school had a summer reading drive.  Students were encouraged to read books to their parents.  That summer I read 50 books!  Actually, I read only a couple.  Who wants to read?  It was much more fun to create my own stories that went along with the pictures.  I just pretended I was reading and made up the story line.  Often times those stories were short and to the point.  What was going on.  I will tell you, I have A.D.D. - Attention Deficit Disorder.  Not only was I hyper active physically, my mind raced all the time.  My mind still goes a hundred miles an hour.  I will be on one thought and before anyone around me gets caught up with me, I'm already onto four or five thoughts down the road.  Combine an over active mind with obsessive thinking, you've got an issue!  Welcome to my world.  Don't let my calm demeanor deceive you!  Perhaps it is evident in my writing.  Have you noticed?

The only reason that I believe that I have had so much success with the dancing is because it involves music.  Granted the instruction has been superb and it's a lot of fun too, which helps.  I am definitely a product of the "Now Generation" which at times makes me impatient.  I think it gets frustrating for people sometimes.  At dance practice, I ask a lot of questions.  Questions are good, they show eagerness to learn and do it right.  The problem with me is that I'll be asking another question before I even get the answer to the last one.  Often I have to be stopped and my attention redirected.  I am aware of my situation and I try to control it to the best of my ability.  Focus, focus, focus!  That's what it takes.  People that know me, when they see me in a rehearsal, have commented that I get intensively focused.  At times, I get overly focused and need snapping out of it.  I can quickly go from being distracted and all over the place to extremely focused and shutting out everything and everyone around me, lost in the space of my own head.  Thank God I have a teacher that understands and is patient.


My A.D.D. had lead to challenges in performances.  If I don't have the time to center myself, I can fall apart.  Chaos in the dressing room is common.  Being rushed to change costumes and get back out on the stage, at times, is a challenge.  I am determined to overcome!  Reducing potential distractions is one way I deal with this.  Even so, I notice that I tend to perform my best at the beginning of a performance.  The trend is start out strong and struggle to end strong.  In my blog about "What to Wear?" I told you I bought a sombrero down on Olvera Street.  They had one that fit my big head.  Remember that?  Anyway, with the weight gain my head must have gotten bigger!  Now I have a Jiffy Pop head!  The hat still fits but now it tends to start sliding off while dancing.  This is a big distraction for me.  When this happens during the performance, my dancing starts to falter.  I focus more on the hat and less on the dance.  Always a challenge!  I've looked into better hats.  One that won't be a distraction on stage.  They cost a small fortune.  Custom sombreros can cost upwards of $500.00.  But I take the dancing seriously enough that it will be worth the investment just not to have the distraction any more.

There you have it - Three Challenges!  There are others too.  Perhaps, we will visit some more of them sometime in the future.  Let me clarify that just because challenges exist, they don't disqualify me or make me an inferior dancer.  Everyone faces challenges in whatever they do.  These are just a few of mine.  Hope they made you laugh!  There is nothing wrong with taking an honest assessment of ourselves and realizing what challenges we face.  I know there is a very optimistic and inspiring mindset out there that tends to imply that if we don't acknowledge or admit challenges, they don't exist and reality is only our perception and what we give credit to, not an absolute or factual.  Facebook is inundated with such statements.  Well, I keep it a bit more real than that.  I would much rather be honest and look at the facts and be truthful in my awareness of myself and the challenges I face so that I can overcome and improve upon them rather than disillusion and deceive myself by denying the presence of them, ending up going no where.  This wedo may wobble, but I wont fall down!

In closing, I want to say that I am learning more about this site, Blogger.com, and the features they offer.  As a result, I have been correcting, updating and editing my previous posts.  On some of the older ones, the links were not working any longer and the photos disappeared.  I've been doing maintenance to keep them up.  I'm also going back and adding new photos.  However, whenever I update or make a change, Blogger sends out notices of a new and updated posts.  I apologize for any excess notice communications and for any inconvenience.  New posts will be published on Sundays.  There were some general glitches on the page layout overall as well.  I have modified and corrected these problems.  If there's anything I've missed, please advise me.  Thank you.

To wet your appetite, here are some ideas for future blog postings that I'm working on:

"The Tale of Two China's" (Pronounced Cheeeeeenahs)
"A Folklorico Competition" or "So You Think You Can Dance!"
"Working The Workshop"
"The Language of Folklorico" or "The Lingo!" or "A Wedo's Interpretation"
"What is Folk Dancing?"
"Ballet Vs. Danza"
"History of Folklorico"
"Dancer's of Drama" or "The Double D's" or "Types of Dancers"
"Man Up!" or "You Go Girl!"
"Tiffs and Tantrums"  or  "These boots were made for dancing (and walking)"
"Viva Mariachi"
"Visions For Folklorico"  or  "I have a dream" or "Ideas"
"Time With Images" or "Images of Mexico"
"Sol de Mexico"  or  "Fun with Sol"  or  "Soul to Sol"  or "Got Sol?" or "Durango Sol"
"Darling Deb"
"Unbelievable Opportunities" or "Expectations Exceeded" or "Dancing with the Stars"
"Who's That Wedo?" or "What Are You Lookin' At?"
"Herencia Mexicana"  or  "Why Herencia" or "I believe in Herencia"
"A Wedo's Take" or "In My Opinion"
"The Day Of The Dead" or "Traditions" or "The Day Of The Dead & Other Traditions"
"Why A Blog"
"Thank You" or "Recognitions" or "Acknowledgements"

Be sure to check back!

Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Note: Looking for your own adventure or journey? Herencia is a great place to find one!  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.  All are welcome.

Sunday, February 24, 2013

Who Am I? A Personal Introduction - Week 8


Welcome Venezuela!  Thanks for reading!  Here it is week 8 already!  Two months down!  Time flies when you're having fun!  It was brought to my attention that I never formally/personally introduced myself to my readers.  That's about to change!  Here's everything you may, or may not, have ever wanted to know about the "big wedo."  Welcome to Wedo Smith 101.

I was born August 15, 1974 in Lakeview, Michigan.  My parents, Leslie & Rosemary Smith, named me Michael Dale Smith.  I am the youngest of five children, the baby of the family, and the self acclaimed favorite.  I have two sisters and two brothers.  The middle brother passed at birth.  All of my siblings are married with children.  My father held many positions in his lifetime including:  Nuclear Engineer, Post Master, Pastor and Book Keeper.  My mother stayed home to raise the children and take care of the home.  They are retired now and enjoy their time between their residences in Michigan and Florida.  They are snow birds.  They are the proud grandparents of eight grandchildren and four great grandchildren. 

During my childhood, we lived in the parsonage on the Church camping grounds.  Read more on that in week six's blog post, "The Miracles of Dancing."  In the third grade, we moved from Six Lakes, Michigan to Clarksville, Michigan.  I went to Clarksville Elementary through Sixth grade.  Then it was off to Lakewood Junior High for Seventh and Eighth grades.  I finished up at Lakewood High School and graduated in 1992 at the age of 17.  After High School I went of to study Vocal Performance at Wheaton College & Conservatory of Music in Wheaton, Illinois.  I left Wheaton in 1994 to pursue life's adventures and briefly took classes at Mount Hope Bible Training Institute and Grand Rapids Community College.  In June of 1995, I moved to California where I have been living ever since.  In the January 2010 I enrolled into classes at the Rock Bible College and graduated in 2011.  In the fall of 2012, I enrolled into ISOM (International School Of Ministry) and will be graduating in Spring 2013.

As far as employment is concerned, I had my first jobs in the Sixth grade.  I would stay after school and help the janitor with assorted duties, such as emptying trash cans, for $1.00 a day!  That only lasted for a couple weeks before I was offered a paper route in Clarksville, Michigan delivering The Grand Rapids Press newspaper.  I delivered those newspapers until I graduated high school.  I received the honor of being the paper carrier of the week!  They printed a short article about me with one of the ugliest photos I've ever taken.  In addition to the paper route, I mowed lawns.  When I was old enough to get my worker's permit, I started working at McDonald's.  I worked for five different McDonald's Restaurant locations, off and on, over a five year period. 

While at Wheaton, I worked in their Alumni call center requesting financial contributions for campus projects from alumni and friends of the college.  One summer break, I performed janitorial tasks for the Clarksville Post Office including painting the interior of the building and waxing the floors.  After Wheaton, I worked for Chuck E. Cheese's and a Christian bookstore/Hallmark before moving to Detroit, Michigan.  In Detroit, I worked for a chocolate company both in retail and production of chocolate products (call me Willy Wonka), The Fisher Theater on their ushering staff and as an assistant manager at Little Caesar's Pizza. 

Then in 1995 I moved to California.  My first job in California was working for Castle Park Amusement Park in Riverside, California.  I continued interviewing and testing for jobs and I landed a position at Smith & Noble catalog window treatments company located in Corona, California where I worked in the call center answering phones, as a filing clerk and in their swatch sample department.  While there I started a business with a friend in Beanie Babies and teddy bears.  We opened a store in Rancho Cucamonga called BearsBears & Collectibles.  I left Smith & Noble in 1998 to pursue a career with Toyota Motor Sales USA working in their North American Parts Center warehouse, where I have been employed ever since.  I will be celebrating 15 years of service there in September.

BearBears & Collectibles closed in 2000.  But I enjoyed having my own business in addition to my everyday job.  Guess that makes me an entrepreneur.  In the early 2000's, I started a mobile DJ Company called All Star DJ's.  That lasted a while until I got the urge to open another store.  In 2005, I opened What A Deal gift and home decor specialty shop in Rancho Cucamonga.  What A Deal moved to Upland, California in 2008 and lasted there until 2010.  When the economy crashed, so did our clientele and the business closed.  Thank goodness I've had a stable job all along!  I would like to have another business again sometime in the future. 

Sounds busy, but as I have said before I like variety and trying new things.  On a more personal note, I enjoy music of all kinds and theater.  I played the french horn in high school and was in the concert band, marching band and jazz band.  I was drum major for one year.  I also enjoyed singing and was in the concert choir, men's chorus, show choir, barbershop quartet, musical theater and children's theater.  In college, I sang in the concert choir and opera workshop.  I also took piano lessons both as a child and in college, but I am not a pianist!  I received several metals and awards for music.  Even a few scholarships.

Some of my other interests include travelling, shopping, church, and movies.  I use to enjoy collecting antiques and things, but had to stop because I was becoming a hoarder!  I enjoy theater and have had the privilege of seeing several stage productions and Cirque du Soliel shows.  I also enjoy concerts and have seen Beyonce, Natalie Cole, Janet Jackson, Elton John, Prince, Cher, Madonna and many others.  I like adventure and enjoy activities like zip lining, roller coasters and parasailing.  Gosh, sounds like I am writing a dating profile!

Anyway, enough about me already!  Let's wrap this up for this week by talking about the dancing!  The dancing is a nice addition to my list of life experiences, which there are many!  You've gotten a small sampling here.  It's amazing to me how many experiences a person can have in their lifetime.  I may not be the best dancer, but I'm getting better everyday.  I hope that this dance experience is not just another fleeting hobby.  I take it seriously.  I'm catching on to folklorico dancing, however, other styles of dancing like Cumbia and Salsa make me feel all uncoordinated and white, which I am so that's alright!  I get so twisted around.  There you have it Wedo Smith 101!  I'm a real winner!  Hope you enjoyed it and that you got a snap shot of who I am.  Until next Sunday.......wedo out!    

Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Note: Looking for your own adventure or journey? Herencia is a great place to find one!  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.  All are welcome.

Sunday, February 10, 2013

The Miracles of Dancing - Week 6


Welcome Poland!  Thank you for joining the journey!  To date, I have had readership from Croatia, Germany, Malaysia, Poland, South Korea, The United Kingdom and The USA!  A world tour is shaping up nicely.   Hint, hint!  I can hardly believe it.  Where are my readers from Australia, Canada, China, India, Mexico and Russia?  I hope to reach the entire globe.  Every Nation!  There's still time - 46 weeks left.

I want to take a moment to thank Multicultural California for the generous comments about my blog on Facebook.  I appreciate your perspective and encouragement.  Well stated.  I advise everyone reading to visit the Multicultural California page on Facebook and check out the posting on their timeline.  Multicultural California supports the arts by video documenting and photographing various dancing forms from around the globe.  The photos and videos can be found on You Tube and Facebook.  Check them out!  Also, this week's wedo word spelling comes from your comments:  Wero!  A fine addition to the ever growing list! 

In a rush to publish my blog last Sunday before everyone got involved with the Super Bowl, my proof reading lapsed and there were a few grammar and spelling errors.  Oops, apparently the wedo doesn't know English well either!  My apologies.  I corrected them on Monday and updated the blog.  I tried to let them slide and was going to make it a game of sorts for my readers to try to find as many errors as possible, but it kept eating at me.  So I fixed 'em.  However, I'm sure there are still many, many errors in my writing and hope you are reading my blog for the entertainment and informational value and not for it's superb literary writing.  I need an editor!  I am guilty of being a perfectionist.  "Michael, you are so hard on yourself," my friends always say.  Guilty!  I drive myself nuts! 

For all the Super Bowl fans who saw my Super Bowl winner prediction on Facebook, that the 49ers were going to win, I'm sorry.  I'm not a psychic!  I will just stick with the folklorico dancing and refrain from making anymore predictions.  I've had people tell me that they weren't going to follow my blog anymore due to the false prediction!  Wow, get a life!  Here I went to all that trouble to cause a power outage at the big game, just so you could take a few minutes and read my new post!  So unappreciated!  No more favors for you!  You have no idea how difficult it was to pull that off!

In other news, I accomplished something this week that I never intended or set out to do in life!  I am officially accused of being a "cyber stalker!"  This one blew me away.  Twitter suspended my account because apparently too many of their users blocked me or labelled my tweets as spam.  This flagged my account.  I was shocked because I only have five followers on Twitter.  I'm new to Twitter and the only reason I got an account was to develop an audience for the blog.  To my surprise, Twitter feels I am harassing their members.  OMG!  Really? 

Perhaps I am missing the whole Twitter concept here.  People write posts and include hash marks for key words should anyone search for the topic they are writing about.  So I searched for "folklorico" and several tweets came up by users with that interest.  I selected to "follow" these people, that share the common interest of folklorico, in hopes they might take an interest in me and follow me too.  That makes me a stalker?  Am I mistaken here?  Isn't the whole premise of Twitter to "follow" people?  The term "follow" is stalker-ish in itself.  I am befuddled.  How embarrassing for following people and getting kicked off a site that dedicated to following people. 

I had to agree to a bunch of terms and conditions and they un-suspended my account with a warning that I needed to discontinue my bad behavior or I will be permanently banned from the site.  The folklorico dancing wedo is a danger to Internet society!  I promptly un-followed everyone that I was following.  Bottom line here is, you can still follow me on Twitter, but I won't be following anyone.  Hopefully those that would have an interest in this blog will find me.  Your help in sharing my posts and spreading the word is more important than ever! 

Lastly, it was brought to my attention this week that I talk about Richard a lot in this blog, which is to be about me and my experience.  Truth is without Richard there would be no folklorico wedo or a blog for that matter.  Richard taught me everything I know about folklorico.  He has been by my side throughout the entire journey.  Therefore, I will be talking about him.  He is part of every chapter of my story, but I would only be a paragraph or two in his.  He is the real deal.  He has lived a folklorico dancing life.  A future project that I would like to do is write his biography and the history of Herencia Mexicana.  He has a truly amazing story to share.

The Miracles of Dancing

As you already know, I grew up in Michigan.  The good old Midwest.  My father was a minister.  He was a pastor of the United Methodist Church for a time.  The church owned a campground and we lived in the parsonage there on the property.  My parents also ran and maintained the grounds.  My father had a big tractor that he used to do many of the assorted tasks that needed to be performed.  In the fall of 1978, August to be exact, my father hitched up a semi truck flat bed trailer on the back of the tractor.  It was time to prepare for the winter snowfall.  There were many picnic tables on the grounds.  The tables had metal legs on them that would rust from the water and snow.  To avoid the rust, every fall the tables were collected and stored under a pavilion.  It was table harvest time.

It was a week before my fourth birthday.  A friend of my father's came to help with loading up the tables onto the flat bed trailer to be taken and stored.  I decided to tag along for the days work.  In the front of the large industrial farm tractor was a hug scoop which was used for dirt removal, digging and/or plowing snow.  That day I was riding along in the scoop of the tractor while the adult men did their work.  I was dragging my feet and we moved along.  Sure enough, I fell out of the scoop and under the tractor I went.  Unfortunately, my father did not see this happen as he was looking back at the trailer.  All I remember was the bone crushing pressure as the front tires went across my body.  It knock the wind out of me and I couldn't even cry out for help.  The terrain was bumpy and it was common to jerk around while driving.  My father thought nothing of the little bump and continued onward.  Then came the large rear wheel of the tractor and underneath I went.  This time the tractor had some difficulty making it over and I remember it kind of stopping on top of me briefly before spitting me out behind.  Then, horror set in as my father realized what had happened.


I remember my father jumping off the tractor in panic and fear and rushed over to my limp body.  He picked me up and ran to the parsonage calling for my mother.  My mother came running out of the house and my father passed me off to her and they jumped into the Suburban truck to rush me to the hospital.  Indeed, there was comfort in mother's arms.  As we went to the hospital I told my mom, "Look!"  My arm had a gash on it where the flesh had been ripped away and was bleeding.  I remember mom putting a paper towel on it.  We arrived at the hospital where the emergency staff were waiting and ready.  They took me in and laid me on a cold metal table.  They removed my clothes and gave me a catheter.  What exactly happened after that I do not recall.  All I can say is, "Ouch!"  It was a horribly traumatic event.


For the next several months I was in the hospital.  I had broken my pelvis and sustained multiple injuries.  I was the only child in the area of the children's wing where I was recovering.  One day a lady from the church came and visited me.  She must have sensed I was bored out of my mind because she went home and made several stuff animal toys for me.  One was a big hippo and another was a yellow bird.  I also had a Rocky & Bullwinkle coloring book.  I made a full recovery and the hospital called me "The Miracle Boy."  Throughout the rest of my childhood my mother continued to call me her "Little Miracle Boy."  On the day I left the hospital, one of the nursing staff asked me if I would like to leave my coloring book so other children that came would have something to do.  I told them, "NO!"  What a brat!  After all that, I hadn't lost my spunk!


The photos above are not of the actual tractor, but they will give you an idea of what I'm talking about and the size.  In 1983, my family moved away from the camp leaving the tractor behind.  I took only the memory of it and the events affiliated with it, with me.  I was in the 3rd grade.  If you have ever seen the movie, Faith Like Potatoes, there is a scene where a child falls off a tractor and gets run over and is killed. It's based on a true story.  Later in life, I watched this movie with my parents.  When it came to this scene, you could read their faces which reflected the pain and fear they experienced earlier in life.  Life had moved on but the memories remain.

I believe in miracles.  Do you?  Let me count the miracles from just this single incident.

1.)  I got ran over by a farm tractor and lived to tell about it. 
2.)  The front tires and the rear tire both ran over my mid section.  The rear tire should have crushed my head.
3.)  I made a full recovery and could walk.
4.)  Not only could I walk, but 33 years later I started to dance folklorico.
5.)  God worked a miracle in my life and blessed me with gifts.  Those gifts are life and folklorico.  God always gives the best gifts!

What miracles do you count?

I have a melancholy personality.  Ya Think!  In the summer of 2011 when this whole journey began, I was in sad shape - emotionally, socially and physically.  I had gone through a stressful and rough two years for many reasons.  I became very down and depressed.  Dancing folklorico has been a form of therapy for me and has helped me pull my life back together.  Not only is it a miracle that I can dance at all, but God used folklorico to work a miracle in me as well.  It wasn't anything that I anticipated in life.  I'm actually quite surprised.  But I am grateful.

Be sure to check back Sunday for new big wedo posting.  Next week I'm sharing the first dance performance and you won't want to miss that!

Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Note: Looking for your own adventure or journey? Herencia is a great place to find one!  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.  All are welcome.

Sunday, February 3, 2013

What To Wear? - Week 5


Hello Everyone!  Thank you for all of your support by reading my blog and sharing in my journey.  A special shout out to my new followers this week from Germany and The United Kingdom, it is nice to have you as part of my blogging history.  Who knows, perhaps I'll go on a world tour to the countries with readership after I conclude my blog.  That would be fun!  In fact, I'll promise to do it if anyone wants to fully sponsor such a thing - "The Herencia Mexicana World Tour 2014" featuring the "One Big Wedo!"  Any takers?  Shoot, I'll even settle for a national tour!  But in order to do so, I need to know what States you all are from.  So go now, yes right now, to my Facebook page, One Big Wedo, and "like" it so I know where you're all from.  Part of the enjoyment for me in this is to meet my readers.  If you don't have a Facebook, create one!  Its free and easy.  If you've already "liked" me, then just keep on reading, reading, reading!

I am getting your feedback.  Thank you.  If you're having difficulty leaving a comment on this page, you can e-mail me directly at onebigwedo@gmail.com or you can follow me on Facebook by clicking "like" on my page:  One Big Wedo (Guero).  If you've been reading from the beginning of this post, then you should have already done this!  And for those of you Twitterers out there, you can get my tweets by following me on Twitter:  Michael Smith @onebigwedo.  Hope to hear from you soon.  If you have enjoyed reading my posts, please share them with your friends and family.  I appreciate your recommendations and helping a wedo out to spread the word out there.  It has been fun for me to write them.  This week I added some new features to my blog page layout, you can now follow me via your email or on Google+.  I also added an option to translate the blog into other languages, although I'm not sure if the humor will come across.  I'm also taking a survey poll.  Just look for the new features along the top, bottom and side of the page layout.

Want to see me dance?  You can!  Just head over to YouTube and search for "Herencia Riverside."  Two videos should pop up that are on the "folkloricochannel".  Or you can try these links I have provided here:  http://youtu.be/yY5ovh9y-3M and http://youtu.be/rOTE8CLTZ4M .  The first song is called La Dificultosa and the second is called La Jesusita.  This was a performance last December at the Festival of Lights in the beautiful Mission Inn District in downtown Riverside, California.  I learned those two dances in a week!  The week before the show to be exact.  Not too shabby!  I hope you enjoy them.

This week a funny thing happened to me, which is not all that unusual.  A man ask me if my middle name was "wedo" because they call me "the wedo."  Come on people, really?  Are we just not getting it?  So now my name is Michael Wedo Smith!  My mom and pops may take issue with that because they named me Michael Dale Smith.  Regardless, I thought it was funny.  I guess it was in my destiny to entertain, better to be a folklorico dancer than a Chippen-Dale!  Trust me, no one wants to see that!  And to top it off,  a friend called me a "weeeee-doh", instead of "whedo" this week.  I thought I was the only one who had trouble saying those Spanish words.  I am frequently told, "Michael your Spanish is painful to my ears."  I'm sorry, its my Michigan accent, don't cha know?  Enough already!  Let's get going!

For Christmas 2011, Richard gave me a Chihuahua suit.  Now, up to that point, I hadn't even started learning the region of Chihuahua.  He was planting the seed.  He was tapping into my addiction of clothing and accessorizing in hopes of provoking me to keep dancing.  It was as if he was conducting some sort of great Freudian experiment to see what the wedo would do.  It worked because it motivated me to continue onward.  In those moments when I was ready to quit, all I could think of was, "what a waste of a costume, you better make this happen."  If you watch the videos that I recommended above, you will see me in that Chihuahua suit. 

In the early months of 2012, we took a trip to El Mercado in East Los Angeles to find him a new hat for Vera Cruz.  His had seen better days.  We didn't find that hat he needed, but Richard bought me a camisa guayabera, a white shirt worn for the region of Vera Cruz.  They had one that fit me!  Let's take pause here to clarify this word guayabera.  Yes, it's another Spanish word that is spelled nothing like it sounds.  I pronounce and spell it, "Why-a-vetta."  It's kind of a fun word to say.  Practice saying it, Why-A-Vetta.  No men, it's not "buy-a-vetta," it's "why-a-vetta."  No showing up in the driveway at your home with a new Corvette and telling the wife that "the wedo made you do it."  And for you fish enthusiasts, it's not "buy-a -betta" either.  Wasn't that random?  To have some fun with it, try saying, "wedos wearing white whyavettas while wowing wiggling watchers watch wonderful workmanship!" 10 times fast.  Come on, just try it!  I told you it was a fun word!

Afterwards, we headed over to Olvera Street in downtown Los Angeles to continue the hunt for a Vera Cruz hat.  For those of you reading that are not familiar with the Los Angeles area, Olvera Street is a historical area downtown that is rich with Mexican heritage and tourism.  It is the local Mexican mecca, complete with restaurants, shopping and an area for dance where you commonly see Folklorico and Azteca dances being performed.  There you will find El Pueblo de Los Angeles monument.  You will also find a wedo eating a hot dog and being harassed by his friends for eating a hot dog instead of some local Mexican food.  That wedo would be me.  I'm sorry, the hot dogs are delicious down town.  I'm honored they thought of me when they wrote the menu.  I just look for the Gringo Specials.  I need to focus, let's get back on track.

Not only did we find the hat for Richard, we found a hat for me and a pair of white pantalones and a nice red silk hanker chief.  I made out!  We found a black sombrero that fit my big head, so I picked that up too.  Richard was buying some fans from Spain for his lady dancers and came across two nice men's ties worn with the charro suit.  He picked those up for us as well.  It was a shopping frenzy.  I love those days.  The costumes were coming along nicely.  I got back home and bought a pair of white folklorico boots and my Vera Cruz costume was complete.  If you visit my page on Facebook, you will see a couple of photos of me in my Vera Cruz costume.   

Some time later, on a Sunday, we took another trip to downtown Los Angeles to The House of Mariachi, a local business that is well known for their excellence in quality charro suits.  Many famous musicians use them for their performing costumes.  Across the street you will find the famous Mariachi Plaza Gazebo, where local mariachis stand and wait for daily work.  I was fitted for my charro suit that day.  A couple weeks later, I went back for my final fitting and brought it home.  Check out my picture of the fitting below.  The staff there was amused with me.  A non-Spanish speaking white man that dances folklorico.  Interesting.  Good thing I had Richard there to translate and communicate for me.

A charro suit is what is worn for the region of Jalisco.  You have probably seen mariachi musicians wear them.  Jalisco is the birthplace of the mariachi music, so it makes sense.  They are tight and we get to dance in them.  Eat your heart out!  One of my favorite things to do after a performance is to go out among the audience and hand out business cards in my charro suit.  The ladies love it and always want their picture taken with the man in the fitted suit.  In Mexican culture, seeing a man in a charro suit is like seeing a man in a military uniform in American culture.  It is given respect.  The last photo below is of Richard and I at my first performance, which I will be addressing in a future blog post. 





As I have learned dances from other regions, the costume collection has grown.  They are like medals of honor, representing another dance learned from a new region that is about to go on stage.  Other times they represent hope, a goal set in anticipation of one day performing the region.  I want to collect them all and have one in every color.  I'm up to five now!

In addition to gathering my costumes, I have had the unique opportunity to travel with Richard and assist in getting the costumes for the dance group.  In Richard's group, Herencia Mexicana, the costumes are provided for the members who perform on stage.  This is a huge benefit because most groups have the students pay for their own costumes, which can get very costly.  Some of the dresses for the women can run upwards of $500 or more for just one region.  If you're dancing 3 to 5 regions in a show, well, you can do the math.  So by providing the costumes, Richard makes it possible for everyone to participate.  Richard doesn't spare any expense when it comes to the costumes.  He likes the best.  He always says, "You only have one chance to make that first impression."

There are standard generic costumes available on the market, but most of Richard's are custom made.  He has his own seamstresses.  Each region has a base costume look that is required.  Typically, most folklorico groups that custom make their costumes build upon that base and do something to make it their own signature outfit by design, all while remaining true to the region.  For example, some may use a particular type of lace or ribbon in their costume.  There is some flexibility as long as you keep within the rules of the region and don't go overboard.  No modifying a full length skirt to a mini.  That's a no no.  Groups take great pride in their signature costumes.  It give them a sense of ownership and uniqueness on the stage.  And it can lead to a lot of dance drama if a group steals another group's look or costume design. 

Richard and I have made numerous trips to L.A.'s fabric and garment district looking for that perfect material, ribbon, lace and trim for the dresses.  Then there are the hair pieces for the women.  Custom braids with ribbon and/or flowers.  Then there's the jewelry.  Lots of details and it never ends.  Thank God I'm a man!  It's not as complicated.  So there it is, What To Wear?  Well, that all depends on what region you're dancing.  Hope you enjoyed it.

In closing, anyone interested in Herencia Mexicana is encouraged to check out their Facebook page and friend request them.  Also, if you are in the Los Angeles or Inland Empire area and want to learn to dance folklorico or to book Herencia Mexicana to perform at your next event, contact Richard Solorzano at (909) 201-1957.  Later peeps, Wedo out!

Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Note: Looking for your own adventure or journey? Herencia is a great place to find one!  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.  All are welcome.

Sunday, January 27, 2013

History In The Making! - Week 4


When I joined Herencia Mexicana and began going to the practices to learn to dance, I told Richard that my goal was to be the best 37 year old, white male folklorico dancer that had no real previous dance training.  Which kind of put me in my own category.  I have no idea how many 37 year old, white men have started dancing folklorico one day just out of the blue like that.  Perhaps I'm the only one.  It's true that there have been many talented white men and women to dance and teach folklorico, or so I have been told.  It's not that hard to believe, especially with so many folklorico dance groups out there.  I'm not the first and I won't be the last!

I believe my goal is a realistic and a healthy one.  To be the best at what I have learned at my age.  It is flattering when people ask if I am dancing professionally, but the answer is no, I am an amateur and a student who performs.  A beginner!  I am far from being a professional.  From the get go, I have taken my dancing very seriously.  I want to be a good dancer, a great performer and learn as much as I can about folklorico dancing.  I want to make the dance group and the director proud.  My fear all along has been looking foolish on the stage, to disgrace the art, and/or to come across as disrespecting the culture or making a mockery of it.  I don't want to embarrass myself, the group or Richard.

I grew up in the farmland of Michigan.  The area I grew up in was rural to say the least.  My mother exposed me to music at a very young age and I pursued it for much of my youth.  That was one of the best things she did for me.  But as far as dancing, well, that was a whole different issue.  Men didn't dance really.  Plus, there was a stigma about dancing, the church frowned upon it and it was sinful.  Oh My!  So there wasn't much available in that department.  In elementary school, I remember learning an Irish jig in one of the music classes.  In 1983, when Michael Jackson moon walked for the first time and his career exploded, I remember my teacher having all the kids in class do their version of the moonwalk.  That may seem silly, but it was a big deal because where I grew up no one was doing that latest dances.  Perhaps kids in urban environments were, but not in farmville, USA.  In Junior High and High School we had dances, but they were lame.  The guys did this kind of bend the knee to the music sort of thing, trying to maintain a cool look and being all man about it to impress the ladies.  The only other trend I remember that made it big in the farmland was MC Hammer's parachute pants and the typewriter dance.  What were we thinking? 

In High School, there were no dance teams or classes of any sort.  The closest thing we had was the cheer leading squad.  And men didn't cheer.  The activities that I participated in that had any sort of choreography and movement were show choir, marching band, and theater.  It was better than nothing at all.  And there was music, I was always surrounded by music.  In addition, we watched some television at home.  No MTV, we only had three channels and no cable.  So we watched shows like Hee Haw, Lawrence Welk, Barbara Mandrell, and The Carol Burnett Show.  Sometimes they would have dancing.  I remember trying to stay home from church on Sunday nights so I could watch In Living Color with the Fly Girls.  Unfortunately, I thought I was a Fly Girl too, which can explain a lot.  My folks also took me to many theater productions:  Cats, Fiddler On The Roof, Etc.  So I viewed plenty of dancing growing up.


Then there was college.  I went from the farm to the Windy City, Chicago Illinois.  I was accepted into music conservatory.  I loved the idea of having a career in opera or musical theater.  So off to college I went.  At the suggestion of my academic counselor, I enrolled in a modern dance class.  I was excited about it.  The first week we studied ballet.  The teacher was adamant that I wear leotards to class because he "needed to be able to see my body."  Ok, hold up!  Huh?  What?  Are you serious?  I was modest.  I already felt like a freak of nature, like a giraffe among the field mice, and now leotards.  I didn't need the added attention, so I dropped the class.  The teacher didn't get to see me at all.  That should teach him.  I did my share of clubbing in college and even went to the occasional square dance.
 
After college, my inexperience continued.  I made a great career choice and landed a job at Chuck E. Cheese!  While there, I performed with the great rat himself.  Stardom!  My social club scene continued and I took a few line dance classes.  I ended up working for the Fisher Theatre in Detroit and I saw many, many performances that were alive with dancing.  Then in 1995 I moved to California and if you've read my other blogs, you know what happened then. 

When I joined Herencia Mexicana in October 2011 it was either sink or swim.  The group was composed of seasoned dancers and I was out of my league.  To add to the challenge, Richard was teaching the region of Guerrero which is not easy.  And I struggled to keep up.  I felt too old, too slow, too out of shape, too unqualified and too white.  And from that point on I coined the term, "Killing the white gene" of incoordination and lack of rhythm.  I was another shining example that white folks can't dance.  And even though my body was hating me and retaliated with soreness and cramps and I contemplated quitting a million times and told Richard I wanted to just dance the slower easier dances, I stuck with it and through it all Richard never gave up on me, nor did he let up.  And because he has persevered through all my trials and melt downs, I am now dancing dances I never imaged I could.  On May 11, 2012 I danced my first performance.  More on that in the weeks to come.  So to put it plainly, I went from Fly Girl to Folklorico!  Gotta love it.  Until next week, wedo out!

Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Note: Looking for your own adventure or journey? Herencia is a great place to find one!  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.  All are welcome.

Monday, January 14, 2013

In The Beginning - Week 2


A quick update on last week's blog before we get started.  So apparently there is an official misspelling of the word guero.  According to Urban Dictionary it is spelled "whetto" meaning a Mexican slang word for a white person.  Spelled very phonetically and it makes sense to me.  Teachers have always told us to sound the word out when we're learning to spell it,
"Wwwhhhhhheeeeettttttttttttttttttttttttttttooooooooo."  Imagine the horror I felt on Monday, one day after my grand launch of this blog, to discover I have misspelled a misspelling.  This threw me into white mode and immediately I began to panic and search for options as to how to fix the situation.  Besides, my entire literary contribution was at stake here and heading straight down the pooper!  Should I just delete and start over from scratch?  Research, I need research to solve this problem.  Help! 

Further investigation led me to Dictionary Update and again, they too spell it "whetto."  Crap!  But looking into it they combine two words, "white" and "ghetto" to come up with "whetto," listing several uses for the term, several rather derogatory.  Just then a man at my work place happened to walk by with a red cap on his head that read, "Old Skool."  It made me stop and ask myself, "Why are you stressing over this?"  I'm probably one of the few white people to ever stress over the correct misspelling of the word guero and it made me laugh.  The negative overtones that the term spelled "whetto" suggests has led me to the decision to keep on using "wedo."  Regardless, whether you spell it guero, wedo or whetto, this wedo doesn't really care and I'm putting it to rest and moving forward.  So let's get down to business.

The Beginning:

Believe it or not this all began at church (Note:  This would be a good moment to take pause and put on Madonna's "Like A Prayer" for ambiance).  It was Sunday evening June 6, 2010 and my church was celebrating their 22nd anniversary.  To celebrate, a fiesta!  Now my church is no small place and when they do something, they go all out.  Free tacos, burritos, chips and salsa, paletas and beverages for everyone!  Anyone hungry?  A free concert by an award winning Latin Christian recording artist.  Jumpers for the kids.  In the courtyard, a large fountain sets and there on each side, two stages rested for the evenings entertainment.  Whenever the word gets out that there is free food and entertainment, the masses show up and this night was no exception.  It was packed.  The church itself boasts of membership of over 17,000 people.  So you can imagine the sea of people that showed up that night.  Let the entertainment begin and let's celebrate!

Prior to this night, I only recall seeing Mexican dancing on one other occasion.  It was at a fair or park somewhere and a few children moved half-hearted around on a stage to mariachi music, some just stood in place and did nothing at all.  It was boring, lacked passion and effort and I was very disinterested.  You could hardly call it dancing and it definitely was not entertaining.  I don't say this to discourage anyone from dancing.  I'm just being honest.  I'm not picking on those children and I admit they were cute in their little costumes.  To be clear I want to state, "I strongly encourage parents and children to get involved in folklorico dancing."  However, on that particular occasion, it was a performance only the parents could truly appreciate.  Other than this one experience the only other exposure that I remember of folklorico dancing was the occasional photo or graphic depicting it.  Obviously, my exposure to it was extremely limited.  And for the record, I have seen several children's groups dance folklorico since that have completely blown me away.  Absolutely amazing and talented.

Going back to the evening of June 6, 2010, there in the center of the church courtyard on those two stages, Ballet Folklorico de Herencia Mexicana danced that evening.  I had never seen such a display.  I was impressed with the colorful costumes, the lively music, the clean articulate footwork, the energy, passion and excitement of it all.  To quote the Material Girl herself, now "You Can Dance!"  As I watched I had a feeling that it would be something fun to try.  It looked like something I could possibly do.  I like trying new things and having new experiences.  How does someone get involved in such a thing?  I had no clue.  I noticed a gentlemen off to the side in a charro suit and in my mind I said to myself, "I wonder how he got involved in this.  What's his story?"  The evening ended and nothing became of my curiosity.  Well, not yet anyway. 


Fast forward 14 months.  It was August 27, 2011.  In the course of life events, I found myself at breakfast at Denny's sitting across from Richard Solorzano.  In the course our discussion, he brought up that he was dancer and the director of a ballet folklorico dance company.  Immediately, I realized that this was the same man I had seen 14 months prior at the church.  It was none other than a Divine appointment!  I expressed some interest in the dancing and he invited me out that evening to go to a fiesta he was going to.  And from that point forward, Richard opened up a whole new world of Mexican dancing to me.  For the next month it was exposure to folklorico and mariachi.  Folklorico, Folklorico, Folklorico!  I went to numerous folklorico rehearsals to observe.  I went to numerous performances and observed.  It was a constant exposure.  I wasn't dancing yet, just observing.  We watched videos of folklorico shows, we went to restaurants and listened to mariachi, I went to several different folklorico groups that he was involved in just to watch the practice. 

Finally, one day in the apartment kitchen Richard showed me a couple steps to practice.  And boy did I practice.  Practice, practice, practice!  I wanted to impress him.  I practiced all day long as I worked at my job in a warehouse.  Paying no attention to the comments of my coworkers.  Every chance, I practice.  I practiced in the kitchen, bumping into cupboards and kicking counter tops.  Wait a minute, kicking counter tops?  Really?  Well yes, during those sudden outbursts of high kicks when I thought I was a Rockette!  Then Richard took it up a notch.  We would go jogging and we would jog a block and then do folklorico footwork for a block and we repeated that sequence over and over. 


Finally, I bought my first pair of black folklorico dance boots.  And on October 7, 2011 I officially joined Ballet Folklorico de Herencia Mexicana and my formal training began.  Four hours every Friday evening.  The first two hours I worked with Richard's assistant director and she drilled me relentlessly on foot work.  The last two hours I danced with Richard's performing group.  It was a challenge to keep up, but Richard kept telling me, "Don't get frustrated and don't quit."  Very quickly I found out that you use muscles in your body you don't even realize you have and the body aches and soreness set in.  I made a new friend called glucosamine!  Soon I was up to four rehearsals a week equaling 10 hours of formal folklorico training, 


So that's how it all began.  And the journey continues....

In closing, I want to thank everyone who read last weeks blog.  I hope you will share it with a friend.  There was some difficulty for people to post comments, but feel free to send me an email with questions or comments to onebigwedo@gmail.com.  You can also find me on Facebook.  "Like" my new fan page at "One Big Wedo" for up to date information on performances, photos, videos and more.  Just look for my photo, all dressed in white.  White on white!  This will be a great fun way for me to meet all of you who are reading my blog all over the world.  Until next week......

Contact Information for "The Big Wedo":

Google E-mail: onebigwedo@gmail.com
Facebook: One Big Wedo (Guero)
Twitter: Michael Smith @onebigwedo
Blogger: www.onebigwedo.blogspot.com

Contact Information for Ballet Folklorico de Herencia Mexicana:

Richard Solorzano, Director: (909) 201-1957
Facebook: Herencia Mexicana
E-Mail: Bf_herencia_mexicana@yahoo.com

Note: Looking for your own adventure or journey? Herencia is a great place to find one!  Folklorico lessons and performances are both available. Herencia Mexicana performs for private & public events of all kinds. Book your event today! Herencia Mexicana welcomes new students. No previous folklorico or dance experience required.  All are welcome.